content changes
12 changed files with 2438 additions and 584 deletions
BIN
app/content/images/anforas.jpg
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app/content/images/recorte.jpg
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app/content/images/static-bg-002.jpg
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app/content/images/tapecaria-2.jpg
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app/content/images/tapecaria-2b.jpg
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app/data-1.json
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+{
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|
| 2 |
+ "website-name": "Portfolio Go", |
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| 3 |
+ "backgrounds": [ |
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| 4 |
+ "content/videos/bg_1.mov", |
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| 5 |
+ "content/videos/bg_2.mov", |
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| 6 |
+ "content/videos/bg_3.mov", |
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| 7 |
+ "content/videos/bg_4.mov", |
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| 8 |
+ "content/videos/bg_5.mov" |
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| 9 |
+ ], |
|
| 10 |
+ "navigation": [ |
|
| 11 |
+ {
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|
| 12 |
+ "title": "Artigos", |
|
| 13 |
+ "i18n": [ |
|
| 14 |
+ "Artigos", |
|
| 15 |
+ "Articles" |
|
| 16 |
+ ], |
|
| 17 |
+ "link": "submenu", |
|
| 18 |
+ "submenu": [ |
|
| 19 |
+ {
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|
| 20 |
+ "title": "Go e Arnaldo - Julio Bressane", |
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| 21 |
+ "i18n": [ |
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| 22 |
+ "júlio bressane, 198?", |
|
| 23 |
+ "júlio bressane, 198?" |
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| 24 |
+ ], |
|
| 25 |
+ "link": "/resenhas/go-e-arnaldo", |
|
| 26 |
+ "slides": [ |
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| 27 |
+ {
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|
| 28 |
+ "title": "", |
|
| 29 |
+ "url": "content/images/go-e-arnaldo-1.jpg" |
|
| 30 |
+ }, |
|
| 31 |
+ {
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| 32 |
+ "title": "", |
|
| 33 |
+ "url": "content/images/parece-mas-nao-e.jpg" |
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| 34 |
+ }, |
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| 35 |
+ {
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| 36 |
+ "title": "", |
|
| 37 |
+ "url": "content/images/go-e-arnaldo-2.jpg" |
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| 38 |
+ }, |
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| 39 |
+ {
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| 40 |
+ "title": "", |
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| 41 |
+ "url": "content/images/parece-mas-e.jpg" |
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| 42 |
+ } |
|
| 43 |
+ ] |
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| 44 |
+ }, |
|
| 45 |
+ {
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|
| 46 |
+ "title": "Dois grafonautas - Antonio Medina", |
|
| 47 |
+ "i18n": [ |
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| 48 |
+ "antonio medina, 1984", |
|
| 49 |
+ "antonio medina, 1984" |
|
| 50 |
+ ], |
|
| 51 |
+ "link": "/resenhas/dois-grafonautas", |
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| 52 |
+ "slides": [ |
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| 53 |
+ {
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| 54 |
+ "title": "", |
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| 55 |
+ "url": "content/images/dois-grafonautas.jpg" |
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| 56 |
+ } |
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| 57 |
+ ] |
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| 58 |
+ }, |
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| 59 |
+ {
|
|
| 60 |
+ "title": "O artesanato literário de Go - Antonio Medina", |
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| 61 |
+ "i18n": [ |
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| 62 |
+ "antonio medina, 198?", |
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| 63 |
+ "antonio medina, 198?" |
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| 64 |
+ ], |
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| 65 |
+ "link": "/resenhas/artesanato-literario", |
|
| 66 |
+ "slides": [ |
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| 67 |
+ {
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| 68 |
+ "title": "", |
|
| 69 |
+ "url": "content/images/artesanato-literario.jpg" |
|
| 70 |
+ } |
|
| 71 |
+ ] |
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| 72 |
+ }, |
|
| 73 |
+ {
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|
| 74 |
+ "title": "Coletiva vai do lirismo à ironia - Fernanda Peixoto", |
|
| 75 |
+ "i18n": [ |
|
| 76 |
+ "fernanda peixoto", |
|
| 77 |
+ "fernanda peixoto" |
|
| 78 |
+ ], |
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| 79 |
+ "link": "/resenhas/coletivo-vai-do-lirismo-a-ironia", |
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| 80 |
+ "slides": [ |
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| 81 |
+ {
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| 82 |
+ "title": "", |
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| 83 |
+ "url": "content/images/lirismo-a-ironia.jpg" |
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| 84 |
+ } |
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| 85 |
+ ] |
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| 86 |
+ }, |
|
| 87 |
+ {
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|
| 88 |
+ "title": "José. Thomas. Brum", |
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| 89 |
+ "i18n": [ |
|
| 90 |
+ "José. Thomas. Brum", |
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| 91 |
+ "José. Thomas. Brum" |
|
| 92 |
+ ], |
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| 93 |
+ "link": "/resenhas/jose-thomas-brum", |
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| 94 |
+ "slides": [ |
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| 95 |
+ {
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| 96 |
+ "title": "", |
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| 97 |
+ "url": "content/images/jt-brum.jpg" |
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| 98 |
+ } |
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| 99 |
+ ] |
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| 100 |
+ } |
|
| 101 |
+ ] |
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| 102 |
+ }, |
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| 103 |
+ {
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| 104 |
+ "title": "Contato", |
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| 105 |
+ "i18n": [ |
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| 106 |
+ "Contato", |
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| 107 |
+ "Contact" |
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| 108 |
+ ], |
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| 109 |
+ "link": "/contato", |
|
| 110 |
+ "content": "<p><span>Entre em contato através do email <a href=\"mailto:cometogo2@gmail.com\">cometogo2@gmail.com</a> ou deixe uma mensagem:<span></p>" |
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| 111 |
+ }, |
|
| 112 |
+ {
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|
| 113 |
+ "title": "Creditos", |
|
| 114 |
+ "i18n": [ |
|
| 115 |
+ "Créditos", |
|
| 116 |
+ "Credits" |
|
| 117 |
+ ], |
|
| 118 |
+ "link": "/creditos", |
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| 119 |
+ "content": "<p><span>site by james peret e leonardo musa<span></p>" |
|
| 120 |
+ }, |
|
| 121 |
+ {
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|
| 122 |
+ "title": "Curriculum", |
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| 123 |
+ "i18n": [ |
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| 124 |
+ "Curriculum", |
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| 125 |
+ "Curriculum" |
|
| 126 |
+ ], |
|
| 127 |
+ "link": "/curriculum", |
|
| 128 |
+ "content": "<p><span>Em breve<span></p>" |
|
| 129 |
+ }, |
|
| 130 |
+ {
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| 131 |
+ "title": "Desenhos", |
|
| 132 |
+ "i18n": [ |
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| 133 |
+ "Desenhos", |
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| 134 |
+ "Drawings" |
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| 135 |
+ ], |
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| 136 |
+ "link": "submenu", |
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| 137 |
+ "submenu": [ |
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| 138 |
+ {
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| 139 |
+ "title": "Bologramas", |
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| 140 |
+ "i18n": [ |
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| 141 |
+ "Bologramas", |
|
| 142 |
+ "Bolograms" |
|
| 143 |
+ ], |
|
| 144 |
+ "link": "submenu", |
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| 145 |
+ "submenu": [ |
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| 146 |
+ {
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| 147 |
+ "title": "Caderno Bologramas - Página 7", |
|
| 148 |
+ "i18n": [ |
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| 149 |
+ "Caderno Bologramas - Página 7", |
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| 150 |
+ "Bolograms Notebook - page 7" |
|
| 151 |
+ ], |
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| 152 |
+ "link": "/slideshow/bologramas-pagina-7", |
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| 153 |
+ "slides": [ |
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| 154 |
+ {
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| 155 |
+ "title": "Caderno Bologramas - Página 7", |
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| 156 |
+ "i18n": [ |
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| 157 |
+ "Caderno Bologramas - Página 7", |
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| 158 |
+ "Bolograms Notebook - page 7" |
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| 159 |
+ ], |
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| 160 |
+ "url": "content/images/bologramas-07.jpg" |
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| 161 |
+ } |
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| 162 |
+ ] |
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| 163 |
+ }, |
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| 164 |
+ {
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| 165 |
+ "title": "Caderno Bologramas - Página 8", |
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| 166 |
+ "i18n": [ |
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| 167 |
+ "Caderno Bologramas - Página 8", |
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| 168 |
+ "Bolograms Notebook - page 8" |
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| 169 |
+ ], |
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| 170 |
+ "link": "/slideshow/bologramas-pagina-8", |
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| 171 |
+ "slides": [ |
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| 172 |
+ {
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| 173 |
+ "title": "Caderno Bologramas - Página 8", |
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| 174 |
+ "i18n": [ |
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| 175 |
+ "Caderno Bologramas - Página 8", |
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| 176 |
+ "Bolograms Notebook - page 8" |
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| 177 |
+ ], |
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| 178 |
+ "url": "content/images/bologramas-08.jpg" |
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| 179 |
+ } |
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| 180 |
+ ] |
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| 181 |
+ }, |
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| 182 |
+ {
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| 183 |
+ "title": "Caderno Bologramas - Página 9", |
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| 184 |
+ "i18n": [ |
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| 185 |
+ "Caderno Bologramas - Página 9", |
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| 186 |
+ "Bolograms Notebook - page 9" |
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| 187 |
+ ], |
|
| 188 |
+ "link": "/slideshow/bologramas-pagina-9", |
|
| 189 |
+ "slides": [ |
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| 190 |
+ {
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| 191 |
+ "title": "Caderno Bologramas - Página 9", |
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| 192 |
+ "i18n": [ |
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| 193 |
+ "Caderno Bologramas - Página 9", |
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| 194 |
+ "Bolograms Notebook - page 9" |
|
| 195 |
+ ], |
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| 196 |
+ "url": "content/images/bologramas-09.jpg" |
|
| 197 |
+ } |
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| 198 |
+ ] |
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| 199 |
+ }, |
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| 200 |
+ {
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| 201 |
+ "title": "Caderno Bologramas - Página 11", |
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| 202 |
+ "i18n": [ |
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| 203 |
+ "Caderno Bologramas - Página 11", |
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| 204 |
+ "Bolograms Notebook - page 11" |
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| 205 |
+ ], |
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| 206 |
+ "link": "/slideshow/bologramas-pagina-11", |
|
| 207 |
+ "slides": [ |
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| 208 |
+ {
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| 209 |
+ "title": "Caderno Bologramas - Página 11", |
|
| 210 |
+ "i18n": [ |
|
| 211 |
+ "Caderno Bologramas - Página 11", |
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| 212 |
+ "Bolograms Notebook - page 11" |
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| 213 |
+ ], |
|
| 214 |
+ "url": "content/images/bologramas-11.jpg" |
|
| 215 |
+ } |
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| 216 |
+ ] |
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| 217 |
+ }, |
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| 218 |
+ {
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| 219 |
+ "title": "Caderno Bologramas - Página 13", |
|
| 220 |
+ "i18n": [ |
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| 221 |
+ "Caderno Bologramas - Página 13", |
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| 222 |
+ "Bolograms Notebook - page 13" |
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| 223 |
+ ], |
|
| 224 |
+ "link": "/slideshow/bologramas-pagina-13", |
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| 225 |
+ "slides": [ |
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+ {
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+ "title": "Caderno Bologramas - Página 13", |
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| 228 |
+ "i18n": [ |
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| 229 |
+ "Caderno Bologramas - Página 13", |
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| 230 |
+ "Bolograms Notebook - page 13" |
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| 231 |
+ ], |
|
| 232 |
+ "url": "content/images/bologramas-13.jpg" |
|
| 233 |
+ } |
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+ ] |
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| 235 |
+ }, |
|
| 236 |
+ {
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| 237 |
+ "title": "Caderno Bologramas - Página 12", |
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+ "i18n": [ |
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+ "Caderno Bologramas - Página 12", |
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| 240 |
+ "Bolograms Notebook - page 12" |
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| 241 |
+ ], |
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| 242 |
+ "link": "/slideshow/bologramas-pagina-12", |
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| 243 |
+ "slides": [ |
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+ {
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+ "title": "Caderno Bologramas - Página 12", |
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+ "i18n": [ |
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+ "Caderno Bologramas - Página 12", |
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+ "Bolograms Notebook - page 12" |
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+ ], |
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+ "url": "content/images/bologramas-12.jpg" |
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+ } |
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+ ] |
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+ } |
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+ ] |
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+ }, |
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+ {
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+ "title": "Caligramas", |
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+ "i18n": [ |
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+ "Caligramas", |
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| 260 |
+ "Caligrams" |
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| 261 |
+ ], |
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+ "link": "submenu", |
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+ "submenu": [ |
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| 264 |
+ {
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| 265 |
+ "title": "Caligrama 4", |
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+ "i18n": [ |
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| 267 |
+ "Caligrama 4", |
|
| 268 |
+ "Caligrams 4" |
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| 269 |
+ ], |
|
| 270 |
+ "link": "/slideshow/caligramas", |
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| 271 |
+ "slides": [ |
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+ {
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| 273 |
+ "title": "Caligrama 4", |
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| 274 |
+ "i18n": [ |
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| 275 |
+ "Caligrama 4", |
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| 276 |
+ "Caligrams 4" |
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+ ], |
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+ "url": "content/images/caligramas-4.jpg" |
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+ } |
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+ ] |
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+ }, |
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+ {
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+ "title": "Caligrama 1", |
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+ "i18n": [ |
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+ "Caligrama 1", |
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| 286 |
+ "Caligrams 1" |
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| 287 |
+ ], |
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+ "link": "/slideshow/caligramas", |
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+ "slides": [ |
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+ {
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+ "title": "Caligrama 1", |
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| 292 |
+ "i18n": [ |
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| 293 |
+ "Caligrama 1", |
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| 294 |
+ "Caligrams 1" |
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+ ], |
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+ "url": "content/images/caligramas-1.jpg" |
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+ } |
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+ ] |
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+ }, |
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+ {
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+ "title": "Caligrama 3", |
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| 302 |
+ "i18n": [ |
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| 303 |
+ "Caligrama 3", |
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| 304 |
+ "Caligrams 3" |
|
| 305 |
+ ], |
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| 306 |
+ "link": "/slideshow/caligramas", |
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+ "slides": [ |
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| 308 |
+ {
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| 309 |
+ "title": "Caligrama 3", |
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| 310 |
+ "i18n": [ |
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| 311 |
+ "Caligrama 3", |
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| 312 |
+ "Caligrams 3" |
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| 313 |
+ ], |
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+ "url": "content/images/caligramas-3.jpg" |
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| 315 |
+ } |
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+ ] |
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+ }, |
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+ {
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| 319 |
+ "title": "Caligrama 2", |
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| 320 |
+ "i18n": [ |
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| 321 |
+ "Caligrama 2", |
|
| 322 |
+ "Caligrams 2" |
|
| 323 |
+ ], |
|
| 324 |
+ "link": "/slideshow/caligramas", |
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| 325 |
+ "slides": [ |
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| 326 |
+ {
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| 327 |
+ "title": "Caligrama 2", |
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| 328 |
+ "i18n": [ |
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| 329 |
+ "Caligrama 2", |
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| 330 |
+ "Caligrams 2" |
|
| 331 |
+ ], |
|
| 332 |
+ "url": "content/images/caligramas-2.jpg" |
|
| 333 |
+ } |
|
| 334 |
+ ] |
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| 335 |
+ }, |
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| 336 |
+ {
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|
| 337 |
+ "title": "Caligrama 5", |
|
| 338 |
+ "i18n": [ |
|
| 339 |
+ "Caligrama 5", |
|
| 340 |
+ "Caligrams 5" |
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| 341 |
+ ], |
|
| 342 |
+ "link": "/slideshow/caligramas", |
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| 343 |
+ "slides": [ |
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| 344 |
+ {
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|
| 345 |
+ "title": "Caligrama 5", |
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+ "i18n": [ |
|
| 347 |
+ "Caligrama 5", |
|
| 348 |
+ "Caligrams 5" |
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| 349 |
+ ], |
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| 350 |
+ "url": "content/images/caligramas-5.jpg" |
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| 351 |
+ } |
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+ ] |
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+ }, |
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+ {
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| 355 |
+ "title": "Caligrama 6", |
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| 356 |
+ "i18n": [ |
|
| 357 |
+ "Caligrama 6", |
|
| 358 |
+ "Caligram 6" |
|
| 359 |
+ ], |
|
| 360 |
+ "link": "/slideshow/caligramas", |
|
| 361 |
+ "slides": [ |
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| 362 |
+ {
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|
| 363 |
+ "title": "Caligrama 6", |
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| 364 |
+ "i18n": [ |
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| 365 |
+ "Caligrama 6", |
|
| 366 |
+ "Caligrams 6" |
|
| 367 |
+ ], |
|
| 368 |
+ "url": "content/images/caligramas-6.jpg" |
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| 369 |
+ } |
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+ ] |
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+ }, |
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+ {
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+ "title": "Caligrama 8", |
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| 374 |
+ "i18n": [ |
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| 375 |
+ "Caligrama 8", |
|
| 376 |
+ "Caligram 8" |
|
| 377 |
+ ], |
|
| 378 |
+ "link": "/slideshow/caligramas", |
|
| 379 |
+ "slides": [ |
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| 380 |
+ {
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|
| 381 |
+ "title": "Caligrama 8", |
|
| 382 |
+ "i18n": [ |
|
| 383 |
+ "Caligrama 8", |
|
| 384 |
+ "Caligrams 8" |
|
| 385 |
+ ], |
|
| 386 |
+ "url": "content/images/caligramas-8.jpg" |
|
| 387 |
+ } |
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| 388 |
+ ] |
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+ }, |
|
| 390 |
+ {
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| 391 |
+ "title": "Caligrama 7", |
|
| 392 |
+ "i18n": [ |
|
| 393 |
+ "Caligrama 7", |
|
| 394 |
+ "Caligram 7" |
|
| 395 |
+ ], |
|
| 396 |
+ "link": "/slideshow/caligramas", |
|
| 397 |
+ "slides": [ |
|
| 398 |
+ {
|
|
| 399 |
+ "title": "Caligrama 7", |
|
| 400 |
+ "i18n": [ |
|
| 401 |
+ "Caligrama 7", |
|
| 402 |
+ "Caligrams 7" |
|
| 403 |
+ ], |
|
| 404 |
+ "url": "content/images/caligramas-7.jpg" |
|
| 405 |
+ } |
|
| 406 |
+ ] |
|
| 407 |
+ } |
|
| 408 |
+ ] |
|
| 409 |
+ }, |
|
| 410 |
+ {
|
|
| 411 |
+ "title": "Cut In", |
|
| 412 |
+ "link": "/slideshow/cut-in", |
|
| 413 |
+ "i18n": [ |
|
| 414 |
+ "Cut In", |
|
| 415 |
+ "Cut In" |
|
| 416 |
+ ], |
|
| 417 |
+ "slides": [ |
|
| 418 |
+ {
|
|
| 419 |
+ "title": "Carbon Blue cut-out + Artista", |
|
| 420 |
+ "i18n": [ |
|
| 421 |
+ "Carbon Blue cut-out + Artista", |
|
| 422 |
+ "Carbon Blue cut-out + Artist" |
|
| 423 |
+ ], |
|
| 424 |
+ "url": "content/images/sono-03.jpg" |
|
| 425 |
+ }, |
|
| 426 |
+ {
|
|
| 427 |
+ "title": "CUT IN (Tríptico)", |
|
| 428 |
+ "i18n": [ |
|
| 429 |
+ "CUT IN (Tríptico)", |
|
| 430 |
+ "CUT IN (Tríptico)" |
|
| 431 |
+ ], |
|
| 432 |
+ "url": "content/images/triptico.jpg" |
|
| 433 |
+ }, |
|
| 434 |
+ {
|
|
| 435 |
+ "title": "Teste Cut Out", |
|
| 436 |
+ "i18n": [ |
|
| 437 |
+ "Teste Cut Out", |
|
| 438 |
+ "Teste Cut Out" |
|
| 439 |
+ ], |
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| 440 |
+ "url": "content/images/sono-04.jpg" |
|
| 441 |
+ }, |
|
| 442 |
+ {
|
|
| 443 |
+ "title": "Red One", |
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| 444 |
+ "i18n": [ |
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| 445 |
+ "Red One", |
|
| 446 |
+ "Red One" |
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| 447 |
+ ], |
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| 448 |
+ "url": "content/images/sono-05.jpg" |
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+ }, |
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+ {
|
|
| 451 |
+ "title": "Red Two", |
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| 452 |
+ "i18n": [ |
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| 453 |
+ "Red Two", |
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| 454 |
+ "Red Two" |
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| 455 |
+ ], |
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| 456 |
+ "url": "content/images/sono-06.jpg" |
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+ }, |
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| 458 |
+ {
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|
| 459 |
+ "title": "Cut-out (verde)", |
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| 460 |
+ "i18n": [ |
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+ "Cut-out (verde)", |
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| 462 |
+ "Cut-out (green)" |
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+ ], |
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+ "url": "content/images/sono-02.jpg" |
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+ }, |
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| 466 |
+ {
|
|
| 467 |
+ "title": "Sono", |
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| 468 |
+ "i18n": [ |
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+ "Sono", |
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| 470 |
+ "Sleep" |
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| 471 |
+ ], |
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| 472 |
+ "url": "content/images/sono-01.jpg" |
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| 473 |
+ }, |
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+ {
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+ "title": "Working", |
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| 476 |
+ "i18n": [ |
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+ "Trabalhando", |
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+ "Working" |
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| 479 |
+ ], |
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+ "url": "content/images/sono-11.jpg" |
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+ } |
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+ ] |
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+ }, |
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+ {
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|
| 485 |
+ "title": "Estudos", |
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| 486 |
+ "i18n": [ |
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+ "Estudos", |
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| 488 |
+ "Studies" |
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| 489 |
+ ], |
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| 490 |
+ "link": "submenu", |
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| 491 |
+ "submenu": [ |
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| 492 |
+ {
|
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| 493 |
+ "title": "Figura 5", |
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+ "i18n": [ |
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+ "Figura 5", |
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| 496 |
+ "Figure 5" |
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| 497 |
+ ], |
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+ "link": "/slideshow/figura-5", |
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+ "slides": [ |
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+ {
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|
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+ "title": "Figura 5", |
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+ "i18n": [ |
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| 503 |
+ "Figura 5", |
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| 504 |
+ "Figure 5" |
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| 505 |
+ ], |
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+ "url": "content/images/figuras-05.jpg" |
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| 507 |
+ } |
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| 508 |
+ ] |
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| 509 |
+ }, |
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| 510 |
+ {
|
|
| 511 |
+ "title": "Figura 7", |
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| 512 |
+ "i18n": [ |
|
| 513 |
+ "Figura 7", |
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| 514 |
+ "Figure 7" |
|
| 515 |
+ ], |
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| 516 |
+ "link": "/slideshow/figura-7", |
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| 517 |
+ "slides": [ |
|
| 518 |
+ {
|
|
| 519 |
+ "title": "Figura 7", |
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| 520 |
+ "i18n": [ |
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| 521 |
+ "Figura 7", |
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| 522 |
+ "Figure 7" |
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| 523 |
+ ], |
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| 524 |
+ "url": "content/images/figuras-07.jpg" |
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| 525 |
+ } |
|
| 526 |
+ ] |
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| 527 |
+ }, |
|
| 528 |
+ {
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|
| 529 |
+ "title": "Figura 11", |
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| 530 |
+ "i18n": [ |
|
| 531 |
+ "Figura 11", |
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| 532 |
+ "Figure 11" |
|
| 533 |
+ ], |
|
| 534 |
+ "link": "/slideshow/figura-11", |
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| 535 |
+ "slides": [ |
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| 536 |
+ {
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|
| 537 |
+ "title": "Figura 11", |
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| 538 |
+ "i18n": [ |
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| 539 |
+ "Figura 11", |
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| 540 |
+ "Figure 11" |
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| 541 |
+ ], |
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| 542 |
+ "url": "content/images/figuras-11.jpg" |
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| 543 |
+ } |
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| 544 |
+ ] |
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| 545 |
+ }, |
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| 546 |
+ {
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|
| 547 |
+ "title": "Figura 9", |
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| 548 |
+ "i18n": [ |
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| 549 |
+ "Figura 9", |
|
| 550 |
+ "Figure 9" |
|
| 551 |
+ ], |
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| 552 |
+ "link": "/slideshow/figura-9", |
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| 553 |
+ "slides": [ |
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| 554 |
+ {
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|
| 555 |
+ "title": "Figura 9", |
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| 556 |
+ "i18n": [ |
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| 557 |
+ "Figura 9", |
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| 558 |
+ "Figure 9" |
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| 559 |
+ ], |
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| 560 |
+ "url": "content/images/figuras-09.jpg" |
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| 561 |
+ } |
|
| 562 |
+ ] |
|
| 563 |
+ }, |
|
| 564 |
+ {
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|
| 565 |
+ "title": "Figura 8", |
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| 566 |
+ "i18n": [ |
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| 567 |
+ "Figura 8", |
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| 568 |
+ "Figure 8" |
|
| 569 |
+ ], |
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+ "link": "/slideshow/figura-8", |
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+ "slides": [ |
|
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+ {
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|
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+ "title": "Figura 8", |
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| 574 |
+ "i18n": [ |
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| 575 |
+ "Figura 8", |
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+ "Figure 8" |
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| 577 |
+ ], |
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+ "url": "content/images/figuras-08.jpg" |
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+ } |
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| 580 |
+ ] |
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| 581 |
+ }, |
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| 582 |
+ {
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|
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+ "title": "Figura 12", |
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| 584 |
+ "i18n": [ |
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| 585 |
+ "Figura 12", |
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| 586 |
+ "Figure 12" |
|
| 587 |
+ ], |
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+ "link": "/slideshow/figura-12", |
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| 589 |
+ "slides": [ |
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+ {
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|
| 591 |
+ "title": "Figura 12", |
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| 592 |
+ "i18n": [ |
|
| 593 |
+ "Figura 12", |
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| 594 |
+ "Figure 12" |
|
| 595 |
+ ], |
|
| 596 |
+ "url": "content/images/figuras-12.jpg" |
|
| 597 |
+ } |
|
| 598 |
+ ] |
|
| 599 |
+ }, |
|
| 600 |
+ {
|
|
| 601 |
+ "title": "Figura 6", |
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| 602 |
+ "i18n": [ |
|
| 603 |
+ "Figura 6", |
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| 604 |
+ "Figure 6" |
|
| 605 |
+ ], |
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| 606 |
+ "link": "/slideshow/figura-6", |
|
| 607 |
+ "slides": [ |
|
| 608 |
+ {
|
|
| 609 |
+ "title": "Figura 6", |
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| 610 |
+ "i18n": [ |
|
| 611 |
+ "Figura 6", |
|
| 612 |
+ "Figure 6" |
|
| 613 |
+ ], |
|
| 614 |
+ "url": "content/images/figuras-06.jpg" |
|
| 615 |
+ } |
|
| 616 |
+ ] |
|
| 617 |
+ }, |
|
| 618 |
+ {
|
|
| 619 |
+ "title": "Figura 3", |
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| 620 |
+ "i18n": [ |
|
| 621 |
+ "Figura 3", |
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| 622 |
+ "Figure 3" |
|
| 623 |
+ ], |
|
| 624 |
+ "link": "/slideshow/figura-3", |
|
| 625 |
+ "slides": [ |
|
| 626 |
+ {
|
|
| 627 |
+ "title": "Figura 3", |
|
| 628 |
+ "i18n": [ |
|
| 629 |
+ "Figura 3", |
|
| 630 |
+ "Figure 3" |
|
| 631 |
+ ], |
|
| 632 |
+ "url": "content/images/figuras-03.jpg" |
|
| 633 |
+ } |
|
| 634 |
+ ] |
|
| 635 |
+ }, |
|
| 636 |
+ {
|
|
| 637 |
+ "title": "Figura 2", |
|
| 638 |
+ "i18n": [ |
|
| 639 |
+ "Figura 2", |
|
| 640 |
+ "Figure 2" |
|
| 641 |
+ ], |
|
| 642 |
+ "link": "/slideshow/figura-2", |
|
| 643 |
+ "slides": [ |
|
| 644 |
+ {
|
|
| 645 |
+ "title": "Figura 2", |
|
| 646 |
+ "i18n": [ |
|
| 647 |
+ "Figura 2", |
|
| 648 |
+ "Figure 2" |
|
| 649 |
+ ], |
|
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+ "url": "content/images/figuras-02.jpg" |
|
| 651 |
+ } |
|
| 652 |
+ ] |
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| 653 |
+ }, |
|
| 654 |
+ {
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|
| 655 |
+ "title": "Figura 4", |
|
| 656 |
+ "i18n": [ |
|
| 657 |
+ "Figura 4", |
|
| 658 |
+ "Figure 4" |
|
| 659 |
+ ], |
|
| 660 |
+ "link": "/slideshow/figura-4", |
|
| 661 |
+ "slides": [ |
|
| 662 |
+ {
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|
| 663 |
+ "title": "Figura 4", |
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| 664 |
+ "i18n": [ |
|
| 665 |
+ "Figura 4", |
|
| 666 |
+ "Figure 4" |
|
| 667 |
+ ], |
|
| 668 |
+ "url": "content/images/figuras-04.jpg" |
|
| 669 |
+ } |
|
| 670 |
+ ] |
|
| 671 |
+ }, |
|
| 672 |
+ {
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|
| 673 |
+ "title": "Figura 1", |
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| 674 |
+ "i18n": [ |
|
| 675 |
+ "Figura 1", |
|
| 676 |
+ "Figure 1" |
|
| 677 |
+ ], |
|
| 678 |
+ "link": "/slideshow/figura-1", |
|
| 679 |
+ "slides": [ |
|
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+ {
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|
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+ "title": "Figura 1", |
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| 683 |
+ "Figura 1", |
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| 684 |
+ "Figure 1" |
|
| 685 |
+ ], |
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| 686 |
+ "url": "content/images/figuras-01.jpg" |
|
| 687 |
+ } |
|
| 688 |
+ ] |
|
| 689 |
+ }, |
|
| 690 |
+ {
|
|
| 691 |
+ "title": "York Cathedral 1", |
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| 692 |
+ "i18n": [ |
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| 693 |
+ "York Cathedral 1", |
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| 694 |
+ "York Cathedral 1" |
|
| 695 |
+ ], |
|
| 696 |
+ "link": "/slideshow/york-cathedral-1", |
|
| 697 |
+ "slides": [ |
|
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+ {
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|
| 699 |
+ "title": "York Cathedral 1", |
|
| 700 |
+ "i18n": [ |
|
| 701 |
+ "York Cathedral 1", |
|
| 702 |
+ "York Cathedral 1" |
|
| 703 |
+ ], |
|
| 704 |
+ "url": "content/images/york-cathedral-1.jpg" |
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| 705 |
+ } |
|
| 706 |
+ ] |
|
| 707 |
+ }, |
|
| 708 |
+ {
|
|
| 709 |
+ "title": "York Cathedral 2", |
|
| 710 |
+ "i18n": [ |
|
| 711 |
+ "York Cathedral 2", |
|
| 712 |
+ "York Cathedral 2" |
|
| 713 |
+ ], |
|
| 714 |
+ "link": "/slideshow/york-cathedral-2", |
|
| 715 |
+ "slides": [ |
|
| 716 |
+ {
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|
| 717 |
+ "title": "York Cathedral 2", |
|
| 718 |
+ "i18n": [ |
|
| 719 |
+ "York Cathedral 2", |
|
| 720 |
+ "York Cathedral 2" |
|
| 721 |
+ ], |
|
| 722 |
+ "url": "content/images/york-cathedral-2.jpg" |
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+ } |
|
| 724 |
+ ] |
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| 725 |
+ }, |
|
| 726 |
+ {
|
|
| 727 |
+ "title": "York Cathedral 3", |
|
| 728 |
+ "i18n": [ |
|
| 729 |
+ "York Cathedral 3", |
|
| 730 |
+ "York Cathedral 3" |
|
| 731 |
+ ], |
|
| 732 |
+ "link": "/slideshow/york-cathedral-3", |
|
| 733 |
+ "slides": [ |
|
| 734 |
+ {
|
|
| 735 |
+ "title": "York Cathedral 3", |
|
| 736 |
+ "i18n": [ |
|
| 737 |
+ "York Cathedral 3", |
|
| 738 |
+ "York Cathedral 3" |
|
| 739 |
+ ], |
|
| 740 |
+ "url": "content/images/york-cathedral-3.jpg" |
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| 741 |
+ } |
|
| 742 |
+ ] |
|
| 743 |
+ } |
|
| 744 |
+ ] |
|
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+ }, |
|
| 746 |
+ {
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|
| 747 |
+ "title": "Recentes", |
|
| 748 |
+ "i18n": [ |
|
| 749 |
+ "Recentes", |
|
| 750 |
+ "Recent" |
|
| 751 |
+ ], |
|
| 752 |
+ "link": "submenu", |
|
| 753 |
+ "submenu": [ |
|
| 754 |
+ {
|
|
| 755 |
+ "title": "Tapete", |
|
| 756 |
+ "i18n": [ |
|
| 757 |
+ "Tapete", |
|
| 758 |
+ "Rug" |
|
| 759 |
+ ], |
|
| 760 |
+ "link": "/slideshow/tapete", |
|
| 761 |
+ "slides": [ |
|
| 762 |
+ {
|
|
| 763 |
+ "title": "Tapete", |
|
| 764 |
+ "i18n": [ |
|
| 765 |
+ "Tapete", |
|
| 766 |
+ "Rug" |
|
| 767 |
+ ], |
|
| 768 |
+ "url": "content/images/tapete.jpg" |
|
| 769 |
+ } |
|
| 770 |
+ ] |
|
| 771 |
+ } |
|
| 772 |
+ ] |
|
| 773 |
+ }, |
|
| 774 |
+ {
|
|
| 775 |
+ "title": "Sarrafos e Garranchos", |
|
| 776 |
+ "i18n": [ |
|
| 777 |
+ "Sarrafos e Garranchos", |
|
| 778 |
+ "Sarrafos e Garranchos" |
|
| 779 |
+ ], |
|
| 780 |
+ "link": "/slideshow/Sarrafos-e-Garranchos", |
|
| 781 |
+ "slides": [ |
|
| 782 |
+ {
|
|
| 783 |
+ "title": "Sarrafos & Garranhcos - Página 1", |
|
| 784 |
+ "i18n": [ |
|
| 785 |
+ "Sarrafos & Garranhcos - Página 1", |
|
| 786 |
+ "Sarrafos & Garranhcos - page 1" |
|
| 787 |
+ ], |
|
| 788 |
+ "url": "content/images/quadrinho-01.jpg" |
|
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+ }, |
|
| 790 |
+ {
|
|
| 791 |
+ "title": "Sarrafos & Garranhcos - Página 2", |
|
| 792 |
+ "i18n": [ |
|
| 793 |
+ "Sarrafos & Garranhcos - Página 2", |
|
| 794 |
+ "Sarrafos & Garranhcos - page 2" |
|
| 795 |
+ ], |
|
| 796 |
+ "url": "content/images/quadrinho-02.jpg" |
|
| 797 |
+ }, |
|
| 798 |
+ {
|
|
| 799 |
+ "title": "Sarrafos & Garranhcos - Página 3", |
|
| 800 |
+ "i18n": [ |
|
| 801 |
+ "Sarrafos & Garranhcos - Página 3", |
|
| 802 |
+ "Sarrafos & Garranhcos - page 3" |
|
| 803 |
+ ], |
|
| 804 |
+ "url": "content/images/quadrinho-03.jpg" |
|
| 805 |
+ }, |
|
| 806 |
+ {
|
|
| 807 |
+ "title": "Sarrafos & Garranhcos - Página 4", |
|
| 808 |
+ "i18n": [ |
|
| 809 |
+ "Sarrafos & Garranhcos - Página 4", |
|
| 810 |
+ "Sarrafos & Garranhcos - page 4" |
|
| 811 |
+ ], |
|
| 812 |
+ "url": "content/images/quadrinho-04.jpg" |
|
| 813 |
+ }, |
|
| 814 |
+ {
|
|
| 815 |
+ "title": "cave *", |
|
| 816 |
+ "i18n": [ |
|
| 817 |
+ "caverna *", |
|
| 818 |
+ "cave *" |
|
| 819 |
+ ], |
|
| 820 |
+ "url": "content/images/cave-1.jpg" |
|
| 821 |
+ }, |
|
| 822 |
+ {
|
|
| 823 |
+ "title": "cave ++++", |
|
| 824 |
+ "i18n": [ |
|
| 825 |
+ "caverna ++++", |
|
| 826 |
+ "cave ++++" |
|
| 827 |
+ ], |
|
| 828 |
+ "url": "content/images/cave-3.jpg" |
|
| 829 |
+ }, |
|
| 830 |
+ {
|
|
| 831 |
+ "title": "cave w stalactites", |
|
| 832 |
+ "i18n": [ |
|
| 833 |
+ "caverna com estalactitis", |
|
| 834 |
+ "cave with stalactites" |
|
| 835 |
+ ], |
|
| 836 |
+ "url": "content/images/cave-2.jpg" |
|
| 837 |
+ } |
|
| 838 |
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|
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+ } |
|
| 840 |
+ ] |
|
| 841 |
+ }, |
|
| 842 |
+ {
|
|
| 843 |
+ "title": "Esculturas", |
|
| 844 |
+ "i18n": [ |
|
| 845 |
+ "Esculturas", |
|
| 846 |
+ "Sculptures" |
|
| 847 |
+ ], |
|
| 848 |
+ "link": "submenu", |
|
| 849 |
+ "submenu": [ |
|
| 850 |
+ {
|
|
| 851 |
+ "title": "Argila", |
|
| 852 |
+ "i18n": [ |
|
| 853 |
+ "Argila", |
|
| 854 |
+ "Clay" |
|
| 855 |
+ ], |
|
| 856 |
+ "link": "/slideshow/argila", |
|
| 857 |
+ "slides": [ |
|
| 858 |
+ {
|
|
| 859 |
+ "title": "Escultura Cabeça (frente)", |
|
| 860 |
+ "i18n": [ |
|
| 861 |
+ "Escultura Cabeça (frente)", |
|
| 862 |
+ "Head Sculpture (front)" |
|
| 863 |
+ ], |
|
| 864 |
+ "url": "content/images/argila-1.jpg" |
|
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+ }, |
|
| 866 |
+ {
|
|
| 867 |
+ "title": "Escultura Cabeça (perfil)", |
|
| 868 |
+ "i18n": [ |
|
| 869 |
+ "Escultura Cabeça (perfil)", |
|
| 870 |
+ "Head Sculpture (side)" |
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| 871 |
+ ], |
|
| 872 |
+ "url": "content/images/argila-2.jpg" |
|
| 873 |
+ }, |
|
| 874 |
+ {
|
|
| 875 |
+ "title": "Escultura Cabeça 2", |
|
| 876 |
+ "i18n": [ |
|
| 877 |
+ "Escultura Cabeça 2", |
|
| 878 |
+ "Head Sculpture 2" |
|
| 879 |
+ ], |
|
| 880 |
+ "url": "content/images/argila-5.jpg" |
|
| 881 |
+ }, |
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| 882 |
+ {
|
|
| 883 |
+ "title": "Escultura Cabeça 3", |
|
| 884 |
+ "i18n": [ |
|
| 885 |
+ "Escultura Cabeça 3", |
|
| 886 |
+ "Head Sculpture 3" |
|
| 887 |
+ ], |
|
| 888 |
+ "url": "content/images/argila-6.jpg" |
|
| 889 |
+ }, |
|
| 890 |
+ {
|
|
| 891 |
+ "title": "Escultura Tal", |
|
| 892 |
+ "i18n": [ |
|
| 893 |
+ "Escultura Tal", |
|
| 894 |
+ "Tal Sculpture" |
|
| 895 |
+ ], |
|
| 896 |
+ "url": "content/images/argila-3.jpg" |
|
| 897 |
+ }, |
|
| 898 |
+ {
|
|
| 899 |
+ "title": "Escultura Tal (costas)", |
|
| 900 |
+ "i18n": [ |
|
| 901 |
+ "Escultura Tal (costas)", |
|
| 902 |
+ "Tal Sculpture (back)" |
|
| 903 |
+ ], |
|
| 904 |
+ "url": "content/images/argila-4.jpg" |
|
| 905 |
+ }, |
|
| 906 |
+ {
|
|
| 907 |
+ "title": "Relevos 6", |
|
| 908 |
+ "i18n": [ |
|
| 909 |
+ "Relevos 6", |
|
| 910 |
+ "Relevos 6" |
|
| 911 |
+ ], |
|
| 912 |
+ "url": "content/images/relevos-06.jpg" |
|
| 913 |
+ }, |
|
| 914 |
+ {
|
|
| 915 |
+ "title": "Relevos 3", |
|
| 916 |
+ "i18n": [ |
|
| 917 |
+ "Relevos 3", |
|
| 918 |
+ "Relevos 3" |
|
| 919 |
+ ], |
|
| 920 |
+ "url": "content/images/relevos-03.jpg" |
|
| 921 |
+ }, |
|
| 922 |
+ {
|
|
| 923 |
+ "title": "Relevos 7", |
|
| 924 |
+ "i18n": [ |
|
| 925 |
+ "Relevos 7", |
|
| 926 |
+ "Relevos 7" |
|
| 927 |
+ ], |
|
| 928 |
+ "url": "content/images/relevos-07.jpg" |
|
| 929 |
+ }, |
|
| 930 |
+ {
|
|
| 931 |
+ "title": "Relevos 5", |
|
| 932 |
+ "i18n": [ |
|
| 933 |
+ "Relevos 5", |
|
| 934 |
+ "Relevos 5" |
|
| 935 |
+ ], |
|
| 936 |
+ "url": "content/images/relevos-05.jpg" |
|
| 937 |
+ }, |
|
| 938 |
+ {
|
|
| 939 |
+ "title": "Relevos 2", |
|
| 940 |
+ "i18n": [ |
|
| 941 |
+ "Relevos 2", |
|
| 942 |
+ "Relevos 2" |
|
| 943 |
+ ], |
|
| 944 |
+ "url": "content/images/relevos-02.jpg" |
|
| 945 |
+ }, |
|
| 946 |
+ {
|
|
| 947 |
+ "title": "Relevos 1", |
|
| 948 |
+ "i18n": [ |
|
| 949 |
+ "Relevos 1", |
|
| 950 |
+ "Relevos 1" |
|
| 951 |
+ ], |
|
| 952 |
+ "url": "content/images/relevos-01.jpg" |
|
| 953 |
+ }, |
|
| 954 |
+ {
|
|
| 955 |
+ "title": "Relevos 4", |
|
| 956 |
+ "i18n": [ |
|
| 957 |
+ "Relevos 4", |
|
| 958 |
+ "Relevos 4" |
|
| 959 |
+ ], |
|
| 960 |
+ "url": "content/images/relevos-04.jpg" |
|
| 961 |
+ } |
|
| 962 |
+ ] |
|
| 963 |
+ }, |
|
| 964 |
+ {
|
|
| 965 |
+ "title": "Sono", |
|
| 966 |
+ "i18n": [ |
|
| 967 |
+ "Sono", |
|
| 968 |
+ "Sleep" |
|
| 969 |
+ ], |
|
| 970 |
+ "link": "/slideshow/sono", |
|
| 971 |
+ "slides": [ |
|
| 972 |
+ {
|
|
| 973 |
+ "title": "Sono", |
|
| 974 |
+ "i18n": [ |
|
| 975 |
+ "Sono", |
|
| 976 |
+ "Sleep" |
|
| 977 |
+ ], |
|
| 978 |
+ "url": "content/images/sono-10.jpg" |
|
| 979 |
+ }, |
|
| 980 |
+ {
|
|
| 981 |
+ "title": "Peça Bibliografica 2", |
|
| 982 |
+ "i18n": [ |
|
| 983 |
+ "Peça Bibliografica 2", |
|
| 984 |
+ "Peça Bibliografica 2" |
|
| 985 |
+ ], |
|
| 986 |
+ "url": "content/images/sono-12.jpg" |
|
| 987 |
+ }, |
|
| 988 |
+ {
|
|
| 989 |
+ "title": "Peça Bibliografica", |
|
| 990 |
+ "i18n": [ |
|
| 991 |
+ "Peça Bibliografica", |
|
| 992 |
+ "Peça Bibliografica" |
|
| 993 |
+ ], |
|
| 994 |
+ "url": "content/images/sono-08.jpg" |
|
| 995 |
+ }, |
|
| 996 |
+ {
|
|
| 997 |
+ "title": "Sono 2", |
|
| 998 |
+ "i18n": [ |
|
| 999 |
+ "Sono 2", |
|
| 1000 |
+ "Sleep 2" |
|
| 1001 |
+ ], |
|
| 1002 |
+ "url": "content/images/sono-07.jpg" |
|
| 1003 |
+ }, |
|
| 1004 |
+ {
|
|
| 1005 |
+ "title": "Sono 2", |
|
| 1006 |
+ "i18n": [ |
|
| 1007 |
+ "Sono 3", |
|
| 1008 |
+ "Sleep 3" |
|
| 1009 |
+ ], |
|
| 1010 |
+ "url": "content/images/sono-01.jpg" |
|
| 1011 |
+ } |
|
| 1012 |
+ ] |
|
| 1013 |
+ }, |
|
| 1014 |
+ {
|
|
| 1015 |
+ "title": "Carvão", |
|
| 1016 |
+ "i18n": [ |
|
| 1017 |
+ "Carvão", |
|
| 1018 |
+ "Charcoal" |
|
| 1019 |
+ ], |
|
| 1020 |
+ "link": "/slideshow/carvao-e-tule", |
|
| 1021 |
+ "slides": [ |
|
| 1022 |
+ {
|
|
| 1023 |
+ "title": "Carvão & Tule 2", |
|
| 1024 |
+ "i18n": [ |
|
| 1025 |
+ "Carvão & Tule 2", |
|
| 1026 |
+ "Carvão & Tule 2" |
|
| 1027 |
+ ], |
|
| 1028 |
+ "url": "content/images/esculturas-carvao-2.jpg" |
|
| 1029 |
+ }, |
|
| 1030 |
+ {
|
|
| 1031 |
+ "title": "Carvão & Tule 3", |
|
| 1032 |
+ "i18n": [ |
|
| 1033 |
+ "Carvão & Tule 3", |
|
| 1034 |
+ "Carvão & Tule 3" |
|
| 1035 |
+ ], |
|
| 1036 |
+ "url": "content/images/esculturas-carvao-3.jpg" |
|
| 1037 |
+ }, |
|
| 1038 |
+ {
|
|
| 1039 |
+ "title": "Carvão & Tule 4", |
|
| 1040 |
+ "i18n": [ |
|
| 1041 |
+ "Carvão & Tule 4", |
|
| 1042 |
+ "Carvão & Tule 4" |
|
| 1043 |
+ ], |
|
| 1044 |
+ "url": "content/images/esculturas-carvao-4.jpg" |
|
| 1045 |
+ }, |
|
| 1046 |
+ {
|
|
| 1047 |
+ "title": "Carvão & Tule 1", |
|
| 1048 |
+ "i18n": [ |
|
| 1049 |
+ "Carvão & Tule 1", |
|
| 1050 |
+ "Carvão & Tule 1" |
|
| 1051 |
+ ], |
|
| 1052 |
+ "url": "content/images/esculturas-carvao-1.jpg" |
|
| 1053 |
+ } |
|
| 1054 |
+ ] |
|
| 1055 |
+ } |
|
| 1056 |
+ ] |
|
| 1057 |
+ }, |
|
| 1058 |
+ {
|
|
| 1059 |
+ "title": "Poemas", |
|
| 1060 |
+ "i18n": [ |
|
| 1061 |
+ "Poemas", |
|
| 1062 |
+ "Poems" |
|
| 1063 |
+ ], |
|
| 1064 |
+ "link": "submenu", |
|
| 1065 |
+ "submenu": [ |
|
| 1066 |
+ {
|
|
| 1067 |
+ "title": "Se a mão lança", |
|
| 1068 |
+ "i18n": [ |
|
| 1069 |
+ "Se a mão lança", |
|
| 1070 |
+ "Se a mão lança" |
|
| 1071 |
+ ], |
|
| 1072 |
+ "link": "/textos/se-a-mao-lanca", |
|
| 1073 |
+ "content": "<div class=\"white-bg-text-small\"><p><span>Se a mão lança</span><br><span>no ar não fica</span><br><span>se a mão alcança</span><br><span>o que caiu</span></p></p></div>" |
|
| 1074 |
+ }, |
|
| 1075 |
+ {
|
|
| 1076 |
+ "title": "A mínima noite", |
|
| 1077 |
+ "i18n": [ |
|
| 1078 |
+ "A mínima noite", |
|
| 1079 |
+ "A mínima noite" |
|
| 1080 |
+ ], |
|
| 1081 |
+ "link": "/textos/a-minima-noite", |
|
| 1082 |
+ "content": "<div class=\"white-bg-text-small\"><p><span>A mínima noite</span><br><span>que de cada objeto parte</span><br><span>noite insular</span><br><span>objeto do tempo</span><br><span>pendurada ao momento</span><br><span>como se fosse</span><br><span>a própria sombra</span></p></p><div>" |
|
| 1083 |
+ }, |
|
| 1084 |
+ {
|
|
| 1085 |
+ "title": "O que nos move é o sono", |
|
| 1086 |
+ "i18n": [ |
|
| 1087 |
+ "O que nos move é o sono", |
|
| 1088 |
+ "O que nos move é o sono" |
|
| 1089 |
+ ], |
|
| 1090 |
+ "link": "/textos/o-que-nos-move-e-o-sono", |
|
| 1091 |
+ "content": "<div class=\"white-bg-text-small\"><p>O que nos move é o sono,<br>o sono distribuído em noites,<br><span class=\"\"></span>as noites,<br><span class=\"\"></span>distribuídas.<br><span class=\"\"></span>Piscar das páginas <br><span class=\"\"></span>no livro de pontos,<br><span class=\"\"></span>onde calco a letra<br><span class=\"\"></span>recombino os ecos.<br><span class=\"\"></span>O que nos move: <br><span class=\"\"></span>a fadiga,<br><span class=\"\"></span>a fábula dos atos,<br><span class=\"\"></span>transmitida,<br><span class=\"\"></span>o girar da chave da noite<br><span class=\"\"></span>quantas noites dure o sono,<br><span class=\"\"></span>Quem respirar?</p></div>" |
|
| 1092 |
+ }, |
|
| 1093 |
+ {
|
|
| 1094 |
+ "title": "Tambores batem", |
|
| 1095 |
+ "i18n": [ |
|
| 1096 |
+ "Tambores batem", |
|
| 1097 |
+ "Tambores batem" |
|
| 1098 |
+ ], |
|
| 1099 |
+ "link": "/textos/tambores-batem", |
|
| 1100 |
+ "content": "<div class=\"white-bg-text-huge poem\"><p><span>Tambores batem</span><br><span>para que eu chegue à terra manchada alta</span><br><span>para que eu traga a lança manchada alta</span><br><span>e não desprenda os olhos do rio</span><br><span>de onde a história evapora</span></p><p><span>Tambores batem</span><br><span>para que eu ache a pedra manchada alta</span><br><span>para que eu sopre a fumaça manchada alta</span><br><span>e com os braços da fumaça eu lute</span><br><span>e com os dedos da fumaça eu trame</span><br><span>e com os olhos da fumaça mergulhe</span></p><p><span>pois nessa pedra se encaixarão pedras</span><br><span>nessa hora se encaixarão horas</span><br><span>nessas letras se encaixará o sol</span></p><p><span>Tambores batem</span><br><span>embaralham meus passos</span><br><span>com os passos do tigre manchado alto</span><br><span>para que eu caçe</span><br><span>cada vez a mesma caça</span><br><span>cada vez nova caça</span><br><span>cada vez</span></p><p><span>Tambores batem</span><br><span>embaralham meus passos</span><br><span>com os passos da rês manchada alta</span><br><span>para que eu paste</span><br><span>cada vez o mesmo pasto</span><br><span>cada vez novo pasto</span><br><span>cada vez</span></p><p><span>Tambores batem</span><br><span>embaralham meus passos</span><br><span>com os passos da lua manchada alta</span><br><span>para que eu sangre</span><br><span>cada vez o mesmo nome</span><br><span>cada vez novo nome</span><br><span>cada vez</span></p><p><span>Tambores batem</span><br><span>para que nem chamar eu possa</span><br><span>nem voltar eu possa</span><br><span>nem trocar eu possa</span><br><span>e então possa bastar</span></p><p><span>Tambores batem</span><br><span>para que nem soltar eu possa</span><br><span>nem sonhar eu possa</span><br><span>nem acordar eu possa</span><br><span>e então possa livrar</span></p><p><span>Como o salto</span><br><span>como o giro</span><br><span>como a espera</span><br><span>como o riso</span></p><p><span>Tambores batem</span><br><span>pé no passo</span><br><span>mão no gesto</span><br><span>cada vez o mesmo toque</span><br><span>cada vez novo toque</span><br><span>cada vez</span></p></div>" |
|
| 1101 |
+ }, |
|
| 1102 |
+ {
|
|
| 1103 |
+ "title": "Alguém que assim falasse", |
|
| 1104 |
+ "i18n": [ |
|
| 1105 |
+ "Alguém que assim falasse", |
|
| 1106 |
+ "Alguém que assim falasse" |
|
| 1107 |
+ ], |
|
| 1108 |
+ "link": "/textos/alguem-que-assim-falasse", |
|
| 1109 |
+ "content": "<div class=\"white-bg-text-big\"><p>Alguém que assim falasse, que por anos conversasse como se içado pela voz, como se ao falar trouxesse portas, camas, lanternas e tateando-os, encontrasse o horizonte pontual de suas extremidades e o estendesse. Alguém que assim falasse, de um modo secretamente aberto - as pausas, às vezes, demorando-se como fala, como se crescessem e vibrassem, caudalosas -, não ouvia o que falava como se fosse seu. Falava como se uma onda estourasse na praia e, ao estourar, já outra se formasse por onde aquela passara. Alguém que assim falasse, na densidade dócil de farol e sem enveredar por alguma conclusão, falava como se encontrar a palavra bastasse para continuar, fosse uma conclusão em si, cintilância. Um falante que tanto observasse e permanecesse que sua fala se tornasse praia onde abordassem portas, camas, lanternas, pausas, ecos, canções invertidas, falava… e, provavelmente, não se ouvia.</p></div>" |
|
| 1110 |
+ } |
|
| 1111 |
+ ] |
|
| 1112 |
+ }, |
|
| 1113 |
+ {
|
|
| 1114 |
+ "title": "Filmes", |
|
| 1115 |
+ "i18n": [ |
|
| 1116 |
+ "Filmes", |
|
| 1117 |
+ "Movies" |
|
| 1118 |
+ ], |
|
| 1119 |
+ "link": "submenu", |
|
| 1120 |
+ "submenu": [ |
|
| 1121 |
+ {
|
|
| 1122 |
+ "title": "Trifonia", |
|
| 1123 |
+ "i18n": [ |
|
| 1124 |
+ "Trifonia", |
|
| 1125 |
+ "Trifonia" |
|
| 1126 |
+ ], |
|
| 1127 |
+ "link": "/filmes/trifonia", |
|
| 1128 |
+ "videoUrl": "fIEXEIOyh9Q", |
|
| 1129 |
+ "videoType": "youtube" |
|
| 1130 |
+ }, |
|
| 1131 |
+ {
|
|
| 1132 |
+ "title": "Video 1", |
|
| 1133 |
+ "i18n": [ |
|
| 1134 |
+ "Video 1", |
|
| 1135 |
+ "Video 1" |
|
| 1136 |
+ ], |
|
| 1137 |
+ "link": "/filmes/animacao-01", |
|
| 1138 |
+ "videoUrl": "content/videos/anim_01.mov", |
|
| 1139 |
+ "videoType": "file" |
|
| 1140 |
+ } |
|
| 1141 |
+ ] |
|
| 1142 |
+ }, |
|
| 1143 |
+ {
|
|
| 1144 |
+ "title": "Mailling List", |
|
| 1145 |
+ "i18n": [ |
|
| 1146 |
+ "Mailling List", |
|
| 1147 |
+ "Mailling List" |
|
| 1148 |
+ ], |
|
| 1149 |
+ "link": "/mailling-list", |
|
| 1150 |
+ "content": "<p><span>Deixe seu email para receber noticias:<span></p>" |
|
| 1151 |
+ } |
|
| 1152 |
+ ] |
|
| 1153 |
+} |
+ 573
- 567
app/data.json
@@ -136,348 +136,570 @@ |
||
| 136 | 136 |
"link": "submenu", |
| 137 | 137 |
"submenu": [ |
| 138 | 138 |
{
|
| 139 |
- "title": "Bologramas", |
|
| 139 |
+ "title": "Recortes", |
|
| 140 |
+ "link": "submenu", |
|
| 140 | 141 |
"i18n": [ |
| 141 |
- "Bologramas", |
|
| 142 |
- "Bolograms" |
|
| 142 |
+ "Recortes", |
|
| 143 |
+ "Cut-In" |
|
| 144 |
+ ], |
|
| 145 |
+ "submenu": [ |
|
| 146 |
+ {
|
|
| 147 |
+ "title": "recorte / tríptico", |
|
| 148 |
+ "link": "/slideshow/triptico", |
|
| 149 |
+ "i18n": [ |
|
| 150 |
+ "recorte / tríptico", |
|
| 151 |
+ "triptych" |
|
| 152 |
+ ], |
|
| 153 |
+ "slides": [ |
|
| 154 |
+ {
|
|
| 155 |
+ "title": "recorte / tríptico", |
|
| 156 |
+ "i18n": [ |
|
| 157 |
+ "recorte / tríptico", |
|
| 158 |
+ "triptych" |
|
| 159 |
+ ], |
|
| 160 |
+ "note" : [ |
|
| 161 |
+ "100 x 230, incisões com tesoura sobre papel, 2010", |
|
| 162 |
+ "100 x 230, incisions with scissors on paper, 2010" |
|
| 163 |
+ ], |
|
| 164 |
+ "url": "content/images/triptico.jpg" |
|
| 165 |
+ } |
|
| 166 |
+ ] |
|
| 167 |
+ }, |
|
| 168 |
+ {
|
|
| 169 |
+ "title": "recorte (com artista atrás)", |
|
| 170 |
+ "link": "/slideshow/cut-in-artista", |
|
| 171 |
+ "i18n": [ |
|
| 172 |
+ "recorte (com artista atrás)", |
|
| 173 |
+ "cut-in (photo with artist)" |
|
| 174 |
+ ], |
|
| 175 |
+ "slides": [ |
|
| 176 |
+ {
|
|
| 177 |
+ "title": "recorte (com artista atrás)", |
|
| 178 |
+ "i18n": [ |
|
| 179 |
+ "recorte (com artista atrás)", |
|
| 180 |
+ "cut-in (photo with artist)" |
|
| 181 |
+ ], |
|
| 182 |
+ "note" : [ |
|
| 183 |
+ "100 x 80, incisões com tesoura sobre papel, 2010", |
|
| 184 |
+ "100 x 80, incisions with scissors on paper, 2010" |
|
| 185 |
+ ], |
|
| 186 |
+ "url": "content/images/sono-03.jpg" |
|
| 187 |
+ } |
|
| 188 |
+ ] |
|
| 189 |
+ }, |
|
| 190 |
+ {
|
|
| 191 |
+ "title": "recorte", |
|
| 192 |
+ "link": "/slideshow/cut-in", |
|
| 193 |
+ "i18n": [ |
|
| 194 |
+ "recorte", |
|
| 195 |
+ "cut-in" |
|
| 196 |
+ ], |
|
| 197 |
+ "slides": [ |
|
| 198 |
+ {
|
|
| 199 |
+ "title": "Recorte", |
|
| 200 |
+ "i18n": [ |
|
| 201 |
+ "Recorte", |
|
| 202 |
+ "Cut-in" |
|
| 203 |
+ ], |
|
| 204 |
+ "note" : [ |
|
| 205 |
+ "160 x 100, incisões com tesoura, 2012", |
|
| 206 |
+ "160 x 100, incisions with scissors on paper, 2012" |
|
| 207 |
+ ], |
|
| 208 |
+ "url": "content/images/recorte.jpg" |
|
| 209 |
+ } |
|
| 210 |
+ ] |
|
| 211 |
+ } |
|
| 212 |
+ ] |
|
| 213 |
+ }, |
|
| 214 |
+ {
|
|
| 215 |
+ "title": "Recentes", |
|
| 216 |
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|
| 217 |
+ "Recentes", |
|
| 218 |
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|
| 143 | 219 |
], |
| 144 | 220 |
"link": "submenu", |
| 145 | 221 |
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| 146 | 222 |
{
|
| 147 |
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|
| 223 |
+ "title": "Tapete", |
|
| 148 | 224 |
"i18n": [ |
| 149 |
- "Caderno Bologramas - Página 7", |
|
| 150 |
- "Bolograms Notebook - page 7" |
|
| 225 |
+ "tapeçaria", |
|
| 226 |
+ "tapestry" |
|
| 151 | 227 |
], |
| 152 |
- "link": "/slideshow/bologramas-pagina-7", |
|
| 228 |
+ "link": "/slideshow/tapecaria-1", |
|
| 153 | 229 |
"slides": [ |
| 154 | 230 |
{
|
| 155 |
- "title": "Caderno Bologramas - Página 7", |
|
| 231 |
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| 156 | 232 |
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| 157 |
- "Caderno Bologramas - Página 7", |
|
| 158 |
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|
| 233 |
+ "tapeçaria", |
|
| 234 |
+ "tapestry" |
|
| 159 | 235 |
], |
| 160 |
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|
| 236 |
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|
| 237 |
+ "33 x 43,5, nanquim sobre papel, 2015", |
|
| 238 |
+ "33 x 43,5, ink on paper, 2015" |
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| 239 |
+ ], |
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| 240 |
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| 161 | 241 |
} |
| 162 | 242 |
] |
| 163 | 243 |
}, |
| 164 | 244 |
{
|
| 165 |
- "title": "Caderno Bologramas - Página 8", |
|
| 245 |
+ "title": "Tapete", |
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| 166 | 246 |
"i18n": [ |
| 167 |
- "Caderno Bologramas - Página 8", |
|
| 168 |
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|
| 247 |
+ "tapeçaria", |
|
| 248 |
+ "tapestry" |
|
| 169 | 249 |
], |
| 170 |
- "link": "/slideshow/bologramas-pagina-8", |
|
| 250 |
+ "link": "/slideshow/tapecaria-2", |
|
| 171 | 251 |
"slides": [ |
| 172 | 252 |
{
|
| 173 |
- "title": "Caderno Bologramas - Página 8", |
|
| 253 |
+ "title": "Tapete", |
|
| 174 | 254 |
"i18n": [ |
| 175 |
- "Caderno Bologramas - Página 8", |
|
| 176 |
- "Bolograms Notebook - page 8" |
|
| 255 |
+ "tapeçaria", |
|
| 256 |
+ "tapestry" |
|
| 177 | 257 |
], |
| 178 |
- "url": "content/images/bologramas-08.jpg" |
|
| 258 |
+ "note" : [ |
|
| 259 |
+ "120 x 81, nanquim sobre papel, 2016", |
|
| 260 |
+ "120 x 81, ink on paper, 2016" |
|
| 261 |
+ ], |
|
| 262 |
+ "url": "content/images/tapecaria-2.jpg" |
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| 179 | 263 |
} |
| 180 | 264 |
] |
| 181 |
- }, |
|
| 265 |
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|
| 266 |
+ ] |
|
| 267 |
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|
| 268 |
+ {
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|
| 269 |
+ "title": "Caligramas", |
|
| 270 |
+ "i18n": [ |
|
| 271 |
+ "Caligramas", |
|
| 272 |
+ "Caligrams" |
|
| 273 |
+ ], |
|
| 274 |
+ "link": "submenu", |
|
| 275 |
+ "submenu": [ |
|
| 182 | 276 |
{
|
| 183 |
- "title": "Caderno Bologramas - Página 9", |
|
| 277 |
+ "title": "Caligrama", |
|
| 184 | 278 |
"i18n": [ |
| 185 |
- "Caderno Bologramas - Página 9", |
|
| 186 |
- "Bolograms Notebook - page 9" |
|
| 279 |
+ "Caligrama", |
|
| 280 |
+ "Caligram" |
|
| 187 | 281 |
], |
| 188 |
- "link": "/slideshow/bologramas-pagina-9", |
|
| 282 |
+ "link": "/slideshow/caligrama", |
|
| 189 | 283 |
"slides": [ |
| 190 | 284 |
{
|
| 191 |
- "title": "Caderno Bologramas - Página 9", |
|
| 285 |
+ "title": "Caligrama", |
|
| 192 | 286 |
"i18n": [ |
| 193 |
- "Caderno Bologramas - Página 9", |
|
| 194 |
- "Bolograms Notebook - page 9" |
|
| 287 |
+ "Caligrama", |
|
| 288 |
+ "Caligram" |
|
| 195 | 289 |
], |
| 196 |
- "url": "content/images/bologramas-09.jpg" |
|
| 290 |
+ "note" : [ |
|
| 291 |
+ "110 x 73, tinta, colagem sobre papel, 1982 - com Arnaldo Antunes", |
|
| 292 |
+ "110 x 73, ink, collage on paper, 1982 - w/ Arnaldo Antunes" |
|
| 293 |
+ ], |
|
| 294 |
+ "url": "content/images/caligramas-1.jpg" |
|
| 197 | 295 |
} |
| 198 | 296 |
] |
| 199 | 297 |
}, |
| 200 | 298 |
{
|
| 201 |
- "title": "Caderno Bologramas - Página 11", |
|
| 299 |
+ "title": "Nova floresta", |
|
| 202 | 300 |
"i18n": [ |
| 203 |
- "Caderno Bologramas - Página 11", |
|
| 204 |
- "Bolograms Notebook - page 11" |
|
| 301 |
+ "Nova floresta", |
|
| 302 |
+ "New Forest" |
|
| 205 | 303 |
], |
| 206 |
- "link": "/slideshow/bologramas-pagina-11", |
|
| 304 |
+ "link": "/slideshow/new-forest", |
|
| 207 | 305 |
"slides": [ |
| 208 | 306 |
{
|
| 209 |
- "title": "Caderno Bologramas - Página 11", |
|
| 307 |
+ "title": "Nova floresta", |
|
| 210 | 308 |
"i18n": [ |
| 211 |
- "Caderno Bologramas - Página 11", |
|
| 212 |
- "Bolograms Notebook - page 11" |
|
| 309 |
+ "Nova floresta", |
|
| 310 |
+ "New Forest" |
|
| 213 | 311 |
], |
| 214 |
- "url": "content/images/bologramas-11.jpg" |
|
| 312 |
+ "note" : [ |
|
| 313 |
+ "110 x 73, tinta, colagem sobre papel, 1982 - com Arnaldo Antunes", |
|
| 314 |
+ "110 x 73, ink, collage on paper, 1982 - w/ Arnaldo Antunes" |
|
| 315 |
+ ], |
|
| 316 |
+ "url": "content/images/caligramas-4.jpg" |
|
| 215 | 317 |
} |
| 216 | 318 |
] |
| 217 | 319 |
}, |
| 218 | 320 |
{
|
| 219 |
- "title": "Caderno Bologramas - Página 13", |
|
| 321 |
+ "title": "Mancha escrita pela transparência das páginas", |
|
| 220 | 322 |
"i18n": [ |
| 221 |
- "Caderno Bologramas - Página 13", |
|
| 222 |
- "Bolograms Notebook - page 13" |
|
| 323 |
+ "Mancha escrita pela transparência das páginas", |
|
| 324 |
+ "Transparency of Pages" |
|
| 223 | 325 |
], |
| 224 |
- "link": "/slideshow/bologramas-pagina-13", |
|
| 326 |
+ "link": "/slideshow/transparencia-das-paginas", |
|
| 225 | 327 |
"slides": [ |
| 226 | 328 |
{
|
| 227 |
- "title": "Caderno Bologramas - Página 13", |
|
| 329 |
+ "title": "Mancha escrita pela transparência das páginas", |
|
| 228 | 330 |
"i18n": [ |
| 229 |
- "Caderno Bologramas - Página 13", |
|
| 230 |
- "Bolograms Notebook - page 13" |
|
| 331 |
+ "Mancha escrita pela transparência das páginas", |
|
| 332 |
+ "Transparency of Pages" |
|
| 231 | 333 |
], |
| 232 |
- "url": "content/images/bologramas-13.jpg" |
|
| 334 |
+ "note" : [ |
|
| 335 |
+ "110 x 73, nanquim, grafite sobre papel, 1982", |
|
| 336 |
+ "110 x 73, ink, graphite on paper 1982" |
|
| 337 |
+ ], |
|
| 338 |
+ "url": "content/images/caligramas-7.jpg" |
|
| 233 | 339 |
} |
| 234 | 340 |
] |
| 235 | 341 |
}, |
| 236 | 342 |
{
|
| 237 |
- "title": "Caderno Bologramas - Página 12", |
|
| 343 |
+ "title": "Superfície do tigre", |
|
| 238 | 344 |
"i18n": [ |
| 239 |
- "Caderno Bologramas - Página 12", |
|
| 240 |
- "Bolograms Notebook - page 12" |
|
| 345 |
+ "Superfície do tigre", |
|
| 346 |
+ "Tiger Surface" |
|
| 241 | 347 |
], |
| 242 |
- "link": "/slideshow/bologramas-pagina-12", |
|
| 348 |
+ "link": "/slideshow/superficie-do-tigre", |
|
| 243 | 349 |
"slides": [ |
| 244 | 350 |
{
|
| 245 |
- "title": "Caderno Bologramas - Página 12", |
|
| 351 |
+ "title": "Superfície do tigre", |
|
| 246 | 352 |
"i18n": [ |
| 247 |
- "Caderno Bologramas - Página 12", |
|
| 248 |
- "Bolograms Notebook - page 12" |
|
| 353 |
+ "Superfície do tigre", |
|
| 354 |
+ "Tiger Surface" |
|
| 249 | 355 |
], |
| 250 |
- "url": "content/images/bologramas-12.jpg" |
|
| 356 |
+ "note" : [ |
|
| 357 |
+ "110 x 73, nanquim, guache, grafite, 1983 - com Arnaldo Antunes", |
|
| 358 |
+ "110 x 73, ink, guache, graphite, 1983 - w/ Arnaldo Antunes" |
|
| 359 |
+ ], |
|
| 360 |
+ "url": "content/images/caligramas-8.jpg" |
|
| 251 | 361 |
} |
| 252 | 362 |
] |
| 253 |
- } |
|
| 254 |
- ] |
|
| 255 |
- }, |
|
| 256 |
- {
|
|
| 257 |
- "title": "Caligramas", |
|
| 258 |
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|
| 259 |
- "Caligramas", |
|
| 260 |
- "Caligrams" |
|
| 261 |
- ], |
|
| 262 |
- "link": "submenu", |
|
| 263 |
- "submenu": [ |
|
| 363 |
+ }, |
|
| 264 | 364 |
{
|
| 265 |
- "title": "Caligrama 4", |
|
| 365 |
+ "title": "caligrama 2", |
|
| 266 | 366 |
"i18n": [ |
| 267 |
- "Caligrama 4", |
|
| 268 |
- "Caligrams 4" |
|
| 367 |
+ "caligrama", |
|
| 368 |
+ "caligram" |
|
| 269 | 369 |
], |
| 270 |
- "link": "/slideshow/caligramas", |
|
| 370 |
+ "link": "/slideshow/caligrama-2", |
|
| 271 | 371 |
"slides": [ |
| 272 | 372 |
{
|
| 273 |
- "title": "Caligrama 4", |
|
| 373 |
+ "title": "caligrama 2", |
|
| 274 | 374 |
"i18n": [ |
| 275 |
- "Caligrama 4", |
|
| 276 |
- "Caligrams 4" |
|
| 375 |
+ "Caligrama", |
|
| 376 |
+ "Caligram" |
|
| 277 | 377 |
], |
| 278 |
- "url": "content/images/caligramas-4.jpg" |
|
| 378 |
+ "note" : [ |
|
| 379 |
+ "200 x 130, tinta, tinta acrílica, grafite sobre papel, 1983", |
|
| 380 |
+ "200 x 130, ink, acrylic paint, graphite on paper, 1983" |
|
| 381 |
+ ], |
|
| 382 |
+ "url": "content/images/caligramas-3.jpg" |
|
| 279 | 383 |
} |
| 280 | 384 |
] |
| 281 | 385 |
}, |
| 282 | 386 |
{
|
| 283 |
- "title": "Caligrama 1", |
|
| 387 |
+ "title": "Harpas selvagens", |
|
| 284 | 388 |
"i18n": [ |
| 285 |
- "Caligrama 1", |
|
| 286 |
- "Caligrams 1" |
|
| 389 |
+ "Harpas selvagens", |
|
| 390 |
+ "Caligram 8" |
|
| 287 | 391 |
], |
| 288 |
- "link": "/slideshow/caligramas", |
|
| 392 |
+ "link": "/slideshow/harpas-selvagens", |
|
| 289 | 393 |
"slides": [ |
| 290 | 394 |
{
|
| 291 |
- "title": "Caligrama 1", |
|
| 395 |
+ "title": "Harpas selvagens", |
|
| 292 | 396 |
"i18n": [ |
| 293 |
- "Caligrama 1", |
|
| 294 |
- "Caligrams 1" |
|
| 397 |
+ "Harpas selvagens", |
|
| 398 |
+ "Wild Harps" |
|
| 295 | 399 |
], |
| 296 |
- "url": "content/images/caligramas-1.jpg" |
|
| 400 |
+ "note" : [ |
|
| 401 |
+ "110 x 77, nanquim, guache, letra set sobre papel, 1983", |
|
| 402 |
+ "110 x 77, ink, guache, letra set on paper, 1983" |
|
| 403 |
+ ], |
|
| 404 |
+ "url": "content/images/caligramas-2.jpg" |
|
| 297 | 405 |
} |
| 298 | 406 |
] |
| 299 | 407 |
}, |
| 300 | 408 |
{
|
| 301 |
- "title": "Caligrama 3", |
|
| 409 |
+ "title": "meus cínicos cílios", |
|
| 302 | 410 |
"i18n": [ |
| 303 |
- "Caligrama 3", |
|
| 304 |
- "Caligrams 3" |
|
| 411 |
+ "meus cínicos cílios", |
|
| 412 |
+ "My cinic eyelashes..." |
|
| 305 | 413 |
], |
| 306 |
- "link": "/slideshow/caligramas", |
|
| 414 |
+ "link": "/slideshow/meus-cinicos-cilios", |
|
| 307 | 415 |
"slides": [ |
| 308 | 416 |
{
|
| 309 |
- "title": "Caligrama 3", |
|
| 417 |
+ "title": "meus cínicos cílios", |
|
| 310 | 418 |
"i18n": [ |
| 311 |
- "Caligrama 3", |
|
| 312 |
- "Caligrams 3" |
|
| 419 |
+ "meus cínicos cílios", |
|
| 420 |
+ "My cinic eyelashes..." |
|
| 313 | 421 |
], |
| 314 |
- "url": "content/images/caligramas-3.jpg" |
|
| 422 |
+ "note" : [ |
|
| 423 |
+ "110 x 73, collagem, guache, nanquim, 1982 - com Arnaldo Antunes", |
|
| 424 |
+ "110 x 73, collage, guache, ink on paper, 1982 - w/ Arnaldo Antunes" |
|
| 425 |
+ ], |
|
| 426 |
+ "url": "content/images/caligramas-5.jpg" |
|
| 315 | 427 |
} |
| 316 | 428 |
] |
| 317 | 429 |
}, |
| 318 | 430 |
{
|
| 319 |
- "title": "Caligrama 2", |
|
| 431 |
+ "title": "Deserto", |
|
| 320 | 432 |
"i18n": [ |
| 321 |
- "Caligrama 2", |
|
| 322 |
- "Caligrams 2" |
|
| 433 |
+ "Deserto", |
|
| 434 |
+ "Desert" |
|
| 323 | 435 |
], |
| 324 |
- "link": "/slideshow/caligramas", |
|
| 436 |
+ "link": "/slideshow/deserto", |
|
| 325 | 437 |
"slides": [ |
| 326 | 438 |
{
|
| 327 |
- "title": "Caligrama 2", |
|
| 439 |
+ "title": "Deserto", |
|
| 328 | 440 |
"i18n": [ |
| 329 |
- "Caligrama 2", |
|
| 330 |
- "Caligrams 2" |
|
| 441 |
+ "Deserto", |
|
| 442 |
+ "Desert" |
|
| 331 | 443 |
], |
| 332 |
- "url": "content/images/caligramas-2.jpg" |
|
| 444 |
+ "note" : [ |
|
| 445 |
+ "96 x 65, tinta, colagem, sementes sobre papel, 1982 - com Arnaldo Antunes", |
|
| 446 |
+ "96 x 65, ink, collage, seeds on paper, 1982 - w/ Arnaldo Antunes" |
|
| 447 |
+ ], |
|
| 448 |
+ "url": "content/images/caligramas-6.jpg" |
|
| 333 | 449 |
} |
| 334 | 450 |
] |
| 335 |
- }, |
|
| 451 |
+ } |
|
| 452 |
+ ] |
|
| 453 |
+ }, |
|
| 454 |
+ {
|
|
| 455 |
+ "title": "Bologramas", |
|
| 456 |
+ "i18n": [ |
|
| 457 |
+ "Bologramas", |
|
| 458 |
+ "Ballogram" |
|
| 459 |
+ ], |
|
| 460 |
+ "link": "submenu", |
|
| 461 |
+ "submenu": [ |
|
| 336 | 462 |
{
|
| 337 |
- "title": "Caligrama 5", |
|
| 463 |
+ "title": "Bolograma", |
|
| 338 | 464 |
"i18n": [ |
| 339 |
- "Caligrama 5", |
|
| 340 |
- "Caligrams 5" |
|
| 465 |
+ "Bolograma", |
|
| 466 |
+ "Ballogram" |
|
| 341 | 467 |
], |
| 342 |
- "link": "/slideshow/caligramas", |
|
| 468 |
+ "link": "/slideshow/bologramas-1", |
|
| 343 | 469 |
"slides": [ |
| 344 | 470 |
{
|
| 345 |
- "title": "Caligrama 5", |
|
| 471 |
+ "title": "Bolograma", |
|
| 346 | 472 |
"i18n": [ |
| 347 |
- "Caligrama 5", |
|
| 348 |
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|
| 473 |
+ "Bolograma", |
|
| 474 |
+ "Ballogram" |
|
| 349 | 475 |
], |
| 350 |
- "url": "content/images/caligramas-5.jpg" |
|
| 476 |
+ "note" : [ |
|
| 477 |
+ "18 x 13, tinta sobre papel, 2014", |
|
| 478 |
+ "18 x 13, ink on paper, 2014" |
|
| 479 |
+ ], |
|
| 480 |
+ "url": "content/images/bologramas-01.jpg" |
|
| 351 | 481 |
} |
| 352 | 482 |
] |
| 353 | 483 |
}, |
| 354 | 484 |
{
|
| 355 |
- "title": "Caligrama 6", |
|
| 485 |
+ "title": "Bolograma", |
|
| 356 | 486 |
"i18n": [ |
| 357 |
- "Caligrama 6", |
|
| 358 |
- "Caligram 6" |
|
| 487 |
+ "Bolograma", |
|
| 488 |
+ "Ballogram" |
|
| 359 | 489 |
], |
| 360 |
- "link": "/slideshow/caligramas", |
|
| 490 |
+ "link": "/slideshow/bologramas-2", |
|
| 361 | 491 |
"slides": [ |
| 362 | 492 |
{
|
| 363 |
- "title": "Caligrama 6", |
|
| 493 |
+ "title": "Bolograma", |
|
| 364 | 494 |
"i18n": [ |
| 365 |
- "Caligrama 6", |
|
| 366 |
- "Caligrams 6" |
|
| 495 |
+ "Bolograma", |
|
| 496 |
+ "Ballogram" |
|
| 367 | 497 |
], |
| 368 |
- "url": "content/images/caligramas-6.jpg" |
|
| 498 |
+ "note" : [ |
|
| 499 |
+ "18 x 13, tinta sobre papel, 2014", |
|
| 500 |
+ "18 x 13, ink on paper, 2014" |
|
| 501 |
+ ], |
|
| 502 |
+ "url": "content/images/bologramas-03.jpg" |
|
| 369 | 503 |
} |
| 370 | 504 |
] |
| 371 | 505 |
}, |
| 372 | 506 |
{
|
| 373 |
- "title": "Caligrama 8", |
|
| 507 |
+ "title": "Bolograma", |
|
| 374 | 508 |
"i18n": [ |
| 375 |
- "Caligrama 8", |
|
| 376 |
- "Caligram 8" |
|
| 509 |
+ "Bolograma", |
|
| 510 |
+ "Ballogram" |
|
| 377 | 511 |
], |
| 378 |
- "link": "/slideshow/caligramas", |
|
| 512 |
+ "link": "/slideshow/bologramas-3", |
|
| 379 | 513 |
"slides": [ |
| 380 | 514 |
{
|
| 381 |
- "title": "Caligrama 8", |
|
| 515 |
+ "title": "Bolograma", |
|
| 382 | 516 |
"i18n": [ |
| 383 |
- "Caligrama 8", |
|
| 384 |
- "Caligrams 8" |
|
| 517 |
+ "Bolograma", |
|
| 518 |
+ "Ballogram" |
|
| 385 | 519 |
], |
| 386 |
- "url": "content/images/caligramas-8.jpg" |
|
| 520 |
+ "note" : [ |
|
| 521 |
+ "18 x 13, tinta sobre papel, 2014", |
|
| 522 |
+ "18 x 13, ink on paper, 2014" |
|
| 523 |
+ ], |
|
| 524 |
+ "url": "content/images/bologramas-04.jpg" |
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| 389 | 527 |
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{
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- "link": "/slideshow/caligramas", |
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| 534 |
+ "link": "/slideshow/bologramas-4", |
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| 397 | 535 |
"slides": [ |
| 398 | 536 |
{
|
| 399 |
- "title": "Caligrama 7", |
|
| 537 |
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| 400 | 538 |
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| 403 | 541 |
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{
|
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| 551 |
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}, |
| 442 | 594 |
{
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| 444 | 596 |
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|
| 446 |
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| 447 | 599 |
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}, |
@@ -490,216 +712,264 @@ |
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{
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| 852 |
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| 855 |
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| 623 | 873 |
], |
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- "link": "/slideshow/figura-3", |
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| 874 |
+ "link": "/slideshow/figura-sentada-2", |
|
| 625 | 875 |
"slides": [ |
| 626 | 876 |
{
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| 628 | 878 |
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+ ], |
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+ "note" : [ |
|
| 883 |
+ "59 x 42, grafite sobre papel, 2013", |
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| 884 |
+ "59 x 42, graphite on paper, 2013" |
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| 631 | 885 |
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| 632 | 886 |
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| 633 | 887 |
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| 635 | 889 |
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| 636 | 890 |
{
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|
| 891 |
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| 638 | 892 |
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+ "Figure" |
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| 641 | 895 |
], |
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|
| 643 | 897 |
"slides": [ |
| 644 | 898 |
{
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| 646 | 900 |
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], |
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|
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|
| 905 |
+ "30 x 42, nanquim sobre papel, 2013", |
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| 906 |
+ "30 x 42, ink on paper, 2013" |
|
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+ ], |
|
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| 653 | 911 |
}, |
| 654 | 912 |
{
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| 656 | 914 |
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+ "Figure" |
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| 659 | 917 |
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| 661 | 919 |
"slides": [ |
| 662 | 920 |
{
|
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|
| 664 | 922 |
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|
| 925 |
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|
| 926 |
+ "note" : [ |
|
| 927 |
+ "27 x 21, nanquim sobre papel, 2013", |
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| 667 | 929 |
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{
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| 679 | 941 |
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{
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| 949 |
+ "52 x 73, carvão sobre papel, 2002", |
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+ "York Munster 1" |
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| 695 | 961 |
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| 698 | 964 |
{
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"title": "York Cathedral 1", |
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{
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"title": "York Cathedral 2", |
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| 981 |
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| 713 | 983 |
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{
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| 717 | 987 |
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| 738 |
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| 739 | 1013 |
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- "i18n": [ |
|
| 983 |
- "Peça Bibliografica 2", |
|
| 984 |
- "Peça Bibliografica 2" |
|
| 985 |
- ], |
|
| 986 |
- "url": "content/images/sono-12.jpg" |
|
| 987 |
- }, |
|
| 988 |
- {
|
|
| 989 |
- "title": "Peça Bibliografica", |
|
| 990 |
- "i18n": [ |
|
| 991 |
- "Peça Bibliografica", |
|
| 992 |
- "Peça Bibliografica" |
|
| 993 |
- ], |
|
| 994 |
- "url": "content/images/sono-08.jpg" |
|
| 995 |
- }, |
|
| 996 |
- {
|
|
| 997 |
- "title": "Sono 2", |
|
| 998 |
- "i18n": [ |
|
| 999 |
- "Sono 2", |
|
| 1000 |
- "Sleep 2" |
|
| 1001 |
- ], |
|
| 1002 |
- "url": "content/images/sono-07.jpg" |
|
| 1003 |
- }, |
|
| 1004 |
- {
|
|
| 1005 |
- "title": "Sono 2", |
|
| 1006 |
- "i18n": [ |
|
| 1007 |
- "Sono 3", |
|
| 1008 |
- "Sleep 3" |
|
| 1009 |
- ], |
|
| 1010 |
- "url": "content/images/sono-01.jpg" |
|
| 1011 |
- } |
|
| 1012 |
- ] |
|
| 1013 |
- }, |
|
| 1014 |
- {
|
|
| 1015 |
- "title": "Carvão", |
|
| 1016 |
- "i18n": [ |
|
| 1017 |
- "Carvão", |
|
| 1018 |
- "Charcoal" |
|
| 1019 |
- ], |
|
| 1020 |
- "link": "/slideshow/carvao-e-tule", |
|
| 1021 |
- "slides": [ |
|
| 1022 |
- {
|
|
| 1023 |
- "title": "Carvão & Tule 2", |
|
| 1024 |
- "i18n": [ |
|
| 1025 |
- "Carvão & Tule 2", |
|
| 1026 |
- "Carvão & Tule 2" |
|
| 1027 |
- ], |
|
| 1028 |
- "url": "content/images/esculturas-carvao-2.jpg" |
|
| 1029 |
- }, |
|
| 1030 |
- {
|
|
| 1031 |
- "title": "Carvão & Tule 3", |
|
| 1032 |
- "i18n": [ |
|
| 1033 |
- "Carvão & Tule 3", |
|
| 1034 |
- "Carvão & Tule 3" |
|
| 1035 |
- ], |
|
| 1036 |
- "url": "content/images/esculturas-carvao-3.jpg" |
|
| 1037 |
- }, |
|
| 1038 |
- {
|
|
| 1039 |
- "title": "Carvão & Tule 4", |
|
| 1040 |
- "i18n": [ |
|
| 1041 |
- "Carvão & Tule 4", |
|
| 1042 |
- "Carvão & Tule 4" |
|
| 1043 |
- ], |
|
| 1044 |
- "url": "content/images/esculturas-carvao-4.jpg" |
|
| 1045 |
- }, |
|
| 1046 |
- {
|
|
| 1047 |
- "title": "Carvão & Tule 1", |
|
| 1048 |
- "i18n": [ |
|
| 1049 |
- "Carvão & Tule 1", |
|
| 1050 |
- "Carvão & Tule 1" |
|
| 1051 |
- ], |
|
| 1052 |
- "url": "content/images/esculturas-carvao-1.jpg" |
|
| 1053 |
- } |
|
| 1040 |
+ "link": "submenu", |
|
| 1041 |
+ "submenu": [ |
|
| 1042 |
+ {
|
|
| 1043 |
+ "title": "Carvão e tule", |
|
| 1044 |
+ "i18n": [ |
|
| 1045 |
+ "Carvão e tule", |
|
| 1046 |
+ "charcoal and netting" |
|
| 1047 |
+ ], |
|
| 1048 |
+ "link": "/slideshow/carvao-e-tule", |
|
| 1049 |
+ "slides": [ |
|
| 1050 |
+ {
|
|
| 1051 |
+ "title": "Carvão & Tule 2", |
|
| 1052 |
+ "i18n": [ |
|
| 1053 |
+ "Carvão & Tule 2", |
|
| 1054 |
+ "Carvão & Tule 2" |
|
| 1055 |
+ ], |
|
| 1056 |
+ "url": "content/images/esculturas-carvao-2.jpg" |
|
| 1057 |
+ } |
|
| 1058 |
+ ] |
|
| 1059 |
+ } |
|
| 1054 | 1060 |
] |
| 1055 | 1061 |
} |
| 1056 | 1062 |
] |
@@ -1150,4 +1156,4 @@ |
||
| 1150 | 1156 |
"content": "<p><span>Deixe seu email para receber noticias:<span></p>" |
| 1151 | 1157 |
} |
| 1152 | 1158 |
] |
| 1153 |
-} |
|
| 1159 |
+} |
+ 1
- 1
app/scripts/app.js
@@ -41,7 +41,7 @@ angular |
||
| 41 | 41 |
// UI router |
| 42 | 42 |
$stateProvider |
| 43 | 43 |
.state('/', {
|
| 44 |
- url: "", |
|
| 44 |
+ url: "/", |
|
| 45 | 45 |
templateUrl: 'views/index.html', |
| 46 | 46 |
controller: 'IndexController' |
| 47 | 47 |
}) |
+ 1
- 0
app/scripts/controllers/slideshow.js
@@ -13,6 +13,7 @@ angular.module('goApp.slideshow', ['ngFx', 'ngAnimate', 'goApp.data'])
|
||
| 13 | 13 |
'use strict'; |
| 14 | 14 |
|
| 15 | 15 |
console.log('> Loading Slideshow');
|
| 16 |
+ $scope.lang = Data.getLang(); |
|
| 16 | 17 |
|
| 17 | 18 |
// Get Page Data |
| 18 | 19 |
var link = $location.url(); |
+ 40
- 6
app/styles/main.css
@@ -23,7 +23,7 @@ body {
|
||
| 23 | 23 |
right: 0; |
| 24 | 24 |
bottom: 0; |
| 25 | 25 |
left: 0; |
| 26 |
- background-image: url("../content/images/static-bg-001.jpg");
|
|
| 26 |
+ background-image: url("../content/images/static-bg-002.jpg");
|
|
| 27 | 27 |
background-repeat: no-repeat; |
| 28 | 28 |
background-size: cover; |
| 29 | 29 |
} |
@@ -63,7 +63,7 @@ body {
|
||
| 63 | 63 |
.Aligner-item {
|
| 64 | 64 |
flex: 1; |
| 65 | 65 |
max-width: 90%; |
| 66 |
- max-height: 90%; |
|
| 66 |
+ height: 80%; |
|
| 67 | 67 |
overflow: hidden; |
| 68 | 68 |
} |
| 69 | 69 |
|
@@ -102,7 +102,7 @@ body {
|
||
| 102 | 102 |
margin: auto; |
| 103 | 103 |
z-index: 3; |
| 104 | 104 |
text-align: center; |
| 105 |
-} |
|
| 105 |
+} |
|
| 106 | 106 |
|
| 107 | 107 |
/* Navigation */ |
| 108 | 108 |
.nav-menu {
|
@@ -178,11 +178,33 @@ fa-app {
|
||
| 178 | 178 |
right: 15px; |
| 179 | 179 |
} |
| 180 | 180 |
|
| 181 |
-.fixed-bottom-center {
|
|
| 181 |
+.work-title {
|
|
| 182 | 182 |
position: fixed; |
| 183 |
- bottom: 9px; |
|
| 183 |
+ bottom: 30px; |
|
| 184 | 184 |
text-align: center; |
| 185 | 185 |
width: 100%; |
| 186 |
+ color: white; |
|
| 187 |
+ text-transform: uppercase; |
|
| 188 |
+ font-size: 14px; |
|
| 189 |
+ font-family: helvetica; |
|
| 190 |
+ text-align: center; |
|
| 191 |
+ font-weight: 600; |
|
| 192 |
+ text-decoration: none; |
|
| 193 |
+ padding-top: 1px; |
|
| 194 |
+} |
|
| 195 |
+ |
|
| 196 |
+.work-description {
|
|
| 197 |
+ position: fixed; |
|
| 198 |
+ bottom: 9px; |
|
| 199 |
+ text-align: left; |
|
| 200 |
+ width: 100%; |
|
| 201 |
+ color: white; |
|
| 202 |
+ font-size: 14px; |
|
| 203 |
+ font-family: helvetica; |
|
| 204 |
+ font-weight: 600; |
|
| 205 |
+ text-decoration: none; |
|
| 206 |
+ padding-top: 1px; |
|
| 207 |
+ margin-left: 20px; |
|
| 186 | 208 |
} |
| 187 | 209 |
|
| 188 | 210 |
.slide-title {
|
@@ -191,7 +213,19 @@ fa-app {
|
||
| 191 | 213 |
text-transform: uppercase; |
| 192 | 214 |
background-color: white; |
| 193 | 215 |
font-size: 14px; |
| 194 |
- font-family: Helvetica; |
|
| 216 |
+ font-family: helvetica; |
|
| 217 |
+ text-align: center; |
|
| 218 |
+ font-weight: 600; |
|
| 219 |
+ text-decoration: none; |
|
| 220 |
+ padding-top: 1px; |
|
| 221 |
+} |
|
| 222 |
+ |
|
| 223 |
+.slide-subtitle {
|
|
| 224 |
+ color: black; |
|
| 225 |
+ border: none; |
|
| 226 |
+ background-color: white; |
|
| 227 |
+ font-size: 14px; |
|
| 228 |
+ font-family: helvetica; |
|
| 195 | 229 |
text-align: center; |
| 196 | 230 |
font-weight: 600; |
| 197 | 231 |
text-decoration: none; |
+ 3
- 10
app/views/slideshow.html
@@ -1,16 +1,9 @@ |
||
| 1 | 1 |
|
| 2 | 2 |
<div class="layer-content fx-fade-normal fx-easing-quad fx-speed-500" ng-show="showView" ng-click="fadeOut()"> |
| 3 |
- <p class="fixed-bottom-center"><span class="slide-title">{{pageData.slides[index].title}}</span></p>
|
|
| 3 |
+ <p class="work-description">{{pageData.slides[index].note[lang]}}</p>
|
|
| 4 | 4 |
<div id="slider" class="Aligner"> |
| 5 |
- <div class="Aligner-item"> |
|
| 6 |
- <wallop-slider |
|
| 7 |
- ng-show="slider" |
|
| 8 |
- data-images="images" |
|
| 9 |
- data-animation="fade" |
|
| 10 |
- data-current-item-index="index" |
|
| 11 |
- data-on-previous="updateTsPrevious()" |
|
| 12 |
- data-on-next="updateTsNext()" |
|
| 13 |
- ></wallop-slider> |
|
| 5 |
+ <div class="Aligner-item" style="text-align: center;"> |
|
| 6 |
+ <img src="{{pageData.slides[0].url}}" style="max-height: 100%; max-width: 100%;">
|
|
| 14 | 7 |
</div> |
| 15 | 8 |
</div> |
| 16 | 9 |
</div> |
+ 667
- 0
notes.md
@@ -0,0 +1,667 @@ |
||
| 1 |
+CRÉDITOS |
|
| 2 |
+ |
|
| 3 |
+ |
|
| 4 |
+- artigos |
|
| 5 |
+- créditos |
|
| 6 |
+- curriculum |
|
| 7 |
+ - Page: |
|
| 8 |
+ |
|
| 9 |
+``` |
|
| 10 |
+### Go - Regina de Barros Carvalho, curriculum |
|
| 11 |
+ |
|
| 12 |
+| Year | Work |
|
| 13 |
+|----------|----------------------------------------------------------------| |
|
| 14 |
+|1960 |nasce em Recife |
|
| 15 |
+|1961 |muda para Rio de Janeiro |
|
| 16 |
+|1981 – 88 |Universidade de São Paulo, Linguística, SP, Brasil |
|
| 17 |
+|1990 |História da Arte, Rodrigo Naves, SP, Brasil |
|
| 18 |
+|1990 |Teoria da Arte, Alberto Tassinari, SP, Brasil |
|
| 19 |
+|1991 - 92 |Universidade de Campinas, Mestrado História da Arte, SP, Brasil |
|
| 20 |
+|1996 – 97 |New York Studio School, Desenho e Escultura, NY, USA |
|
| 21 |
+|2013 - 14 |Royal School of Drawing, Desenho, Londres, UK |
|
| 22 |
+ |
|
| 23 |
+Exposições e Performances |
|
| 24 |
+ |
|
| 25 |
+| Periodo | Exposições e Performances |
|
| 26 |
+|----------|-----------------------------------------------------------------| |
|
| 27 |
+|1980 | Festival de Performances da Pinacoteca do Estado, SP |
|
| 28 |
+|1980 |‘Concerto para piano, luva de boxe e instintor de incêndio’ |
|
| 29 |
+|1981 |Festival de Performances do SESC Pompéia, SP |
|
| 30 |
+|1981 – 83 |Banda Performática de José Roberto Aguilar |
|
| 31 |
+|1983 |‘Caligramas’, Galeria Cultura, SP |
|
| 32 |
+|1983 |Ópera Performática, música de Paulo Miklos, com Vânia Forguieri, Arnaldo Antunes e grande elenco, abertura da exposição ‘Caligramas’, SP |
|
| 33 |
+|1984 |POESIAEVIDÊNCIA, Pontifícia Universidade Católica, SP |
|
| 34 |
+|1984 |Defeitos Cônicos, performance com Adriana Freire, Paulo Miklos e Arnaldo Antunes, Pinacoteca do Estado, SP |
|
| 35 |
+|1985 |SP3 Vênus, Espaço Petite Galerie, Rio de Janeiro |
|
| 36 |
+|1986 |Sarrafos e Garranchos, livro da artista e exposição, Galeria Unidade 2, SP |
|
| 37 |
+|1987 |PALAVRA IMÁGICA, Museu de Arte Contemporânea, SP |
|
| 38 |
+|1993 |ITAÚGALERIA, SP |
|
| 39 |
+|1994 |Centro Cultural São Paulo, Programa de Exposições Anual, SP |
|
| 40 |
+|1995 |Salão Carioca, Rio de Janeiro |
|
| 41 |
+|2003 |Casa das Rosas – ‘Alô, México’, SP |
|
| 42 |
+|2006 |Galeria Laura Marsiaj Arte Contemporânea, Rio de Janeiro |
|
| 43 |
+``` |
|
| 44 |
+ |
|
| 45 |
+- **desenhos** |
|
| 46 |
+ - **recortes** |
|
| 47 |
+ - recorte / tríptico [*o marrom bem largo*] |
|
| 48 |
+ - 100 x 230, incisões com tesoura sobre papel, 2010 |
|
| 49 |
+ - recorte (com artista atrás) [*o azul comigo atrás*] |
|
| 50 |
+ - 100 x 80, incisões com tesoura sobre papel |
|
| 51 |
+ - recorte [*o preto de bolas, estou enviando outra foto dele para escolhermos*] |
|
| 52 |
+ - 160 x 100, incisões com tesoura, 2012 |
|
| 53 |
+ - **trabalhos recentes** |
|
| 54 |
+ - tapeçaria |
|
| 55 |
+ - 33 x 43,5, nanquim sobre papel, 2015 |
|
| 56 |
+ - tapeçaria [*nova/ estou enviando agora*] |
|
| 57 |
+ - 120 x 81, nanquim sobre papel, 2016 |
|
| 58 |
+ - **caligramas** |
|
| 59 |
+ - caligrama |
|
| 60 |
+ - 110 x 73, tinta, colagem sobre papel, 1982 |
|
| 61 |
+ - *com Arnaldo Antunes |
|
| 62 |
+ - Nova floresta |
|
| 63 |
+ - 110 x 73, tinta, colagem sobre papel, 1982 |
|
| 64 |
+ - *com Arnaldo Antunes |
|
| 65 |
+ - meus cínicos cílios |
|
| 66 |
+ - 110 x 73, collagem, guache, nanquim, 1982 |
|
| 67 |
+ - *com Arnaldo Antunes |
|
| 68 |
+ - Deserto |
|
| 69 |
+ - 96 x 65, tinta, colagem, sementes sobre papel, 1982 |
|
| 70 |
+ - *com Arnaldo Antunes |
|
| 71 |
+ - Mancha escrita pela transparência das páginas |
|
| 72 |
+ - 110 x 73, nanquim, grafite sobre papel, 1982 |
|
| 73 |
+ - caligrama |
|
| 74 |
+ - 200 x 130, tinta, tinta acrílica, grafite sobre papel, 1983 |
|
| 75 |
+ - Harpas selvagens |
|
| 76 |
+ - 110 x 77, nanquim, guache, letra set sobre papel, 1983 |
|
| 77 |
+ - Roupa nua |
|
| 78 |
+ - 110 x 77, tinta acrílica, letra set sobre papel, 1983 |
|
| 79 |
+ - Superfície do tigre |
|
| 80 |
+ - 110 x 73, nanquim, guache, grafite, 1983 |
|
| 81 |
+ - *com Arnaldo Antunes |
|
| 82 |
+ - **sarrafos e garranchos** |
|
| 83 |
+ - livro editado pela artista, 250 exemplares, numerados e assinados, lâminas impressas em off-set e coladas sobre papel ingres, São Paulo, 1986 |
|
| 84 |
+ - capa e contracapa |
|
| 85 |
+ - 35 x 5, nanquim sobre papel, 1984 |
|
| 86 |
+ - monte |
|
| 87 |
+ - 35 x 5, nanquim sobre papel, 1984 |
|
| 88 |
+ - neve |
|
| 89 |
+ - 35 x 5, nanquim sobre papel, 1984 |
|
| 90 |
+ - lua, |
|
| 91 |
+ - 35 x 5, nanquim sobre papel, 1984 |
|
| 92 |
+ - vento |
|
| 93 |
+ - 35 x 5, nanquim sobre papel, 1984 |
|
| 94 |
+ - flor |
|
| 95 |
+ - 35 x 5, nanquim sobre papel, 1984 |
|
| 96 |
+ - chuva horizontal na grama |
|
| 97 |
+ - 35 x 5, nanquim sobre papel, 1984 |
|
| 98 |
+ - sombra |
|
| 99 |
+ - 35 x 5, nanquim sobre papel, 1984 |
|
| 100 |
+ - eco |
|
| 101 |
+ - 35 x 5, nanquim sobre papel, 1984 |
|
| 102 |
+ - coração da rainha das vacas |
|
| 103 |
+ - 35 x 5, nanquim sobre papel, 1984 |
|
| 104 |
+ - lama |
|
| 105 |
+ - 35 x 5, nanquim sobre papel, 1984 |
|
| 106 |
+ - crime/cream |
|
| 107 |
+ - 35 x 5, nanquim sobre papel, 1984 |
|
| 108 |
+ - ei-lo! |
|
| 109 |
+ - 35 x 5, nanquim sobre papel, 1984 |
|
| 110 |
+ |
|
| 111 |
+ |
|
| 112 |
+ |
|
| 113 |
+ |
|
| 114 |
+> bologramas |
|
| 115 |
+ |
|
| 116 |
+ |
|
| 117 |
+ > bolograma |
|
| 118 |
+ 18 x 13, tinta sobre papel, 2014 |
|
| 119 |
+ |
|
| 120 |
+> bolograma |
|
| 121 |
+ 18 x 13, tinta sobre papel, 2014 |
|
| 122 |
+ |
|
| 123 |
+> bolograma |
|
| 124 |
+ 18 x 13, tinta sobre papel, 2014 |
|
| 125 |
+ |
|
| 126 |
+> bolograma |
|
| 127 |
+ 18 x 13, tinta sobre papel, 2014 |
|
| 128 |
+ |
|
| 129 |
+> bolograma |
|
| 130 |
+ 18 x 13, tinta sobre papel, 2014 |
|
| 131 |
+ |
|
| 132 |
+> bolograma |
|
| 133 |
+ 18 x 13, tinta sobre papel, 2014 |
|
| 134 |
+ |
|
| 135 |
+> bolograma |
|
| 136 |
+ 18 x 13, tinta sobre papel, 2014 |
|
| 137 |
+ |
|
| 138 |
+> bolograma |
|
| 139 |
+ 18 x 13, tinta sobre papel, 2014 |
|
| 140 |
+ |
|
| 141 |
+> bolograma |
|
| 142 |
+ 18 x 13, tinta sobre papel, 2014 |
|
| 143 |
+ |
|
| 144 |
+> bolograma |
|
| 145 |
+ 18 x 25, tinta sobre papel, 2014 |
|
| 146 |
+ |
|
| 147 |
+> bolograma |
|
| 148 |
+ 18 x 14, tinta sobre papel, 2014 |
|
| 149 |
+ |
|
| 150 |
+> bolograma |
|
| 151 |
+ 18 x 25, tinta sobre papel, 2014 |
|
| 152 |
+ |
|
| 153 |
+> bolograma |
|
| 154 |
+ 18 x 14, tinta sobre papel, 2014 |
|
| 155 |
+ |
|
| 156 |
+> bolograma |
|
| 157 |
+ 18 x 25, tinta sobre papel, 2014 |
|
| 158 |
+ |
|
| 159 |
+ |
|
| 160 |
+> estudos |
|
| 161 |
+ |
|
| 162 |
+ |
|
| 163 |
+> homem deitado |
|
| 164 |
+ 50 x 42, nanquim sobre papel, 2015 |
|
| 165 |
+ |
|
| 166 |
+> figura em pé |
|
| 167 |
+ 42 x 30, nanquim sobre papel, 2015 |
|
| 168 |
+ |
|
| 169 |
+> figura deitada |
|
| 170 |
+ 42 x 59, nanquim sobre papel, 2015 |
|
| 171 |
+ |
|
| 172 |
+> figura sentada |
|
| 173 |
+ 42 x 30, nanquim sobre papel, 2015 |
|
| 174 |
+ |
|
| 175 |
+> figura deitada |
|
| 176 |
+ 42 x 59, nanquim sobre papel, 2015 |
|
| 177 |
+ |
|
| 178 |
+> figura em pé |
|
| 179 |
+ 42 x 30, nanquim sobre papel, 2015 |
|
| 180 |
+ |
|
| 181 |
+> figura sentada |
|
| 182 |
+ 59 x 42, grafite sobre papel, 2013 |
|
| 183 |
+ |
|
| 184 |
+> figura sentada |
|
| 185 |
+ 59 x 42, grafite sobre papel, 2013 |
|
| 186 |
+ |
|
| 187 |
+> figura sentada |
|
| 188 |
+ 30 x 42, nanquim sobre papel, 2013 |
|
| 189 |
+ |
|
| 190 |
+> figura sentada |
|
| 191 |
+ 27 x 21, nanquim sobre papel, 2013 |
|
| 192 |
+ |
|
| 193 |
+> ânforas |
|
| 194 |
+ 52 x 73, carvão sobre papel, 2002 |
|
| 195 |
+ |
|
| 196 |
+> catedral de york |
|
| 197 |
+ 14 x 9, grafite sobre papel, 2014 |
|
| 198 |
+ |
|
| 199 |
+> catedral de york |
|
| 200 |
+ 14 x 18, grafite sobre papel, 2014 |
|
| 201 |
+ |
|
| 202 |
+> catedral de york |
|
| 203 |
+ 14 x 18, grafite sobre papel, 2014 |
|
| 204 |
+ |
|
| 205 |
+ |
|
| 206 |
+ |
|
| 207 |
+ |
|
| 208 |
+ |
|
| 209 |
+> ESCULTURA |
|
| 210 |
+ |
|
| 211 |
+ |
|
| 212 |
+ |
|
| 213 |
+> Carvão e tule |
|
| 214 |
+ |
|
| 215 |
+ |
|
| 216 |
+ |
|
| 217 |
+ > 220 x 200 x 220, tela de nylon, carvão e madeira, 1992 |
|
| 218 |
+ |
|
| 219 |
+ > 150 x 25 x 15, tela de nylon, pergaminho e carvão, 1992 |
|
| 220 |
+ |
|
| 221 |
+ > 250 x 180 x 15, tela de nylon, pergaminho, carvão, escritos, 1993 |
|
| 222 |
+ |
|
| 223 |
+> 165 x 110 x 10, nanquim sobre tela de nylon, carvão, pergaminho, |
|
| 224 |
+ escritos, 1993 |
|
| 225 |
+ |
|
| 226 |
+ > 80 x 180 x 7, nanquim sobre tela de nylon, 1993 |
|
| 227 |
+ |
|
| 228 |
+ > 200 x 165 x 100, tela de nylon, carvão, pergaminho, escritos, 1993 |
|
| 229 |
+ |
|
| 230 |
+ |
|
| 231 |
+ |
|
| 232 |
+> Sono |
|
| 233 |
+ |
|
| 234 |
+ |
|
| 235 |
+ > O que nos move é o sono |
|
| 236 |
+ 120 x 350 x 50, lã crua em vidro, 1994 |
|
| 237 |
+ |
|
| 238 |
+ > sono |
|
| 239 |
+ 100 x 50 x 10, fio metálico, sementes, nanquim, 1994 |
|
| 240 |
+ |
|
| 241 |
+ > sono |
|
| 242 |
+ 4 x 66 x 60, madeira, 1994 |
|
| 243 |
+ |
|
| 244 |
+ > peça bibliográfica / frente |
|
| 245 |
+ 125 x 30 x 20, madeira, livros, 1994 |
|
| 246 |
+ |
|
| 247 |
+ > peça bibliográfica / lado |
|
| 248 |
+ 125 x 30 x 20, madeira, livros, 1994 |
|
| 249 |
+ |
|
| 250 |
+> peça bibliográfica |
|
| 251 |
+ 182 x 7 x 11, madeira, livro, 1994 |
|
| 252 |
+ |
|
| 253 |
+ > sono |
|
| 254 |
+ 200 x 270 x 130, lã crua em vidro, 1994 |
|
| 255 |
+ |
|
| 256 |
+ |
|
| 257 |
+ |
|
| 258 |
+> Argila |
|
| 259 |
+ |
|
| 260 |
+ |
|
| 261 |
+ > cabeça |
|
| 262 |
+ 32 x 14 x 26, argila, 1995 |
|
| 263 |
+ |
|
| 264 |
+ > cabeça |
|
| 265 |
+ 30 x 15 x 22, argila, 1995 |
|
| 266 |
+ |
|
| 267 |
+ > cabeça |
|
| 268 |
+ 42 x 24 x40, argila, 1995 |
|
| 269 |
+ |
|
| 270 |
+ > cabeça / perfil |
|
| 271 |
+ |
|
| 272 |
+ > Tal / frente |
|
| 273 |
+ 188 x 60 x 40, argila, 1995 |
|
| 274 |
+ |
|
| 275 |
+ > Tal / costas |
|
| 276 |
+ 188 x 60 x 40, argila, 1995 |
|
| 277 |
+ |
|
| 278 |
+ > relevo / estudo de Seurat |
|
| 279 |
+ 48 x 50 x 14, argila, 1995 |
|
| 280 |
+ |
|
| 281 |
+ > relevo |
|
| 282 |
+ 81 x 51 x 17, argila, 1997 |
|
| 283 |
+ |
|
| 284 |
+ > relevo |
|
| 285 |
+ 200 x 100 x 40, edição única em gesso, 2001 |
|
| 286 |
+ |
|
| 287 |
+> relevo |
|
| 288 |
+ 150 x 100 x 40, edição única em gesso, 2002 |
|
| 289 |
+ |
|
| 290 |
+ > relevo / estudo de Rembrandt |
|
| 291 |
+ 30 x 45 x 10, edição única em gesso, 2003 |
|
| 292 |
+ |
|
| 293 |
+ > relevo |
|
| 294 |
+ 37 x 43 x 13, argila, 2003 |
|
| 295 |
+ |
|
| 296 |
+ |
|
| 297 |
+ |
|
| 298 |
+> FILMES |
|
| 299 |
+ |
|
| 300 |
+ |
|
| 301 |
+ > animação |
|
| 302 |
+ |
|
| 303 |
+> com Hugo, 2014 |
|
| 304 |
+ |
|
| 305 |
+ > animação |
|
| 306 |
+ |
|
| 307 |
+> figura em rotação, 2014 |
|
| 308 |
+ |
|
| 309 |
+ > animação |
|
| 310 |
+ |
|
| 311 |
+ > 2014 |
|
| 312 |
+ |
|
| 313 |
+ > filme |
|
| 314 |
+ |
|
| 315 |
+ > Trifônia, com câmeraolho / Planeta Tela, 2008 |
|
| 316 |
+ |
|
| 317 |
+ |
|
| 318 |
+ |
|
| 319 |
+[CRÉDITOS TRADUZIDOS] |
|
| 320 |
+ |
|
| 321 |
+> articles |
|
| 322 |
+ |
|
| 323 |
+> credits |
|
| 324 |
+ |
|
| 325 |
+> curriculum |
|
| 326 |
+ |
|
| 327 |
+ Go - Regina de Barros Carvalho, curriculum |
|
| 328 |
+ |
|
| 329 |
+ 1960 born in Recife |
|
| 330 |
+ 1961 moves to Rio de Janeiro |
|
| 331 |
+1981 – 88 University of São Paulo, Linguistics, SP Brazil |
|
| 332 |
+1990 Art history, Rodrigo Naves, SP Brazil |
|
| 333 |
+ Art theory, Alberto Tassinari, SP Brazil |
|
| 334 |
+1991 - 92 University of Campinas, Art history, SP Brazil |
|
| 335 |
+ 1996 – 97 New York Studio School, Drawing and Sculpture, NY USA |
|
| 336 |
+ 2013 - 14 Royal School of Drawing, Drawing, London UK |
|
| 337 |
+ |
|
| 338 |
+ Exhibitions and Performances |
|
| 339 |
+ |
|
| 340 |
+ 1980 Pinacoteca do Estado Performance Festival, SP |
|
| 341 |
+ ‘Concert for piano, boxing gloves, fire extinguishers and four letters’ |
|
| 342 |
+ 1981 SESC Pompéia Performance Festival, SP |
|
| 343 |
+ 1981 – 83 Performatic Band of José Roberto Aguilar, SP |
|
| 344 |
+ 1983 ‘Calligrams’, Galeria Cultura, SP |
|
| 345 |
+ Performatic Opera, music by Paulo Miklos, with Vania Forguieri, |
|
| 346 |
+ Arnaldo Antunes and great cast, opening of ‘Calligrams’, SP |
|
| 347 |
+ 1984 POESIAEVIDÊNCIA, Pontifical Catholic University, SP |
|
| 348 |
+ Conical defects, performance COM Arnaldo Antunes, Paulo Miklos |
|
| 349 |
+ e Adriana Freire, Pinacoteca do Estado, SP |
|
| 350 |
+1985 SP3 Venus, Espaço Petite Galerie, Rio de Janeiro |
|
| 351 |
+ 1986 Scratches and Scribbles, artist book & exhibition, Galeria Unidade 2, SP |
|
| 352 |
+ 1987 PALAVRAIMÁGICA, Museum of Contemporary Art, SP |
|
| 353 |
+ 1993 ITAÚGALERIA, SP |
|
| 354 |
+ 1994 Centro Cultural São Paulo, Annual Exhibitions Program, SP |
|
| 355 |
+ 1995 Salão Carioca, Rio de Janeiro |
|
| 356 |
+ 2003 Casa das Rosas – ‘Alô, México’, SP |
|
| 357 |
+ 2006 Galeria Laura Marsiaj Arte Contemporânea, Rio de Janeiro |
|
| 358 |
+ |
|
| 359 |
+ |
|
| 360 |
+ |
|
| 361 |
+ |
|
| 362 |
+> drawings |
|
| 363 |
+ |
|
| 364 |
+> cut-in |
|
| 365 |
+ |
|
| 366 |
+> triptych |
|
| 367 |
+ 100 x 230, incisions with scissors on paper, 2010 |
|
| 368 |
+ |
|
| 369 |
+> cut-in (photo with artist) |
|
| 370 |
+ 100 x 80, incisions with scissors on paper, 2010 |
|
| 371 |
+ |
|
| 372 |
+ > recorte |
|
| 373 |
+ 160 x 100, incisions with scissors on paper, 2012 |
|
| 374 |
+ |
|
| 375 |
+ |
|
| 376 |
+ > recent works |
|
| 377 |
+ |
|
| 378 |
+ > tapestry |
|
| 379 |
+ 33 x 43,5, ink on paper, 2015 |
|
| 380 |
+ |
|
| 381 |
+ > tapestry [te enviei, mas precisa escolher qual]] |
|
| 382 |
+ 120 x 81, ink on paper, 2016 |
|
| 383 |
+ |
|
| 384 |
+ |
|
| 385 |
+ > calligrams |
|
| 386 |
+ |
|
| 387 |
+ > calligram |
|
| 388 |
+ 110 x 73, ink, collage on paper, 1982 |
|
| 389 |
+ *w/ Arnaldo Antunes |
|
| 390 |
+ |
|
| 391 |
+ > New Forest |
|
| 392 |
+ 110 x 73, ink, collage on paper, 1982 |
|
| 393 |
+ *w/ Arnaldo Antunes |
|
| 394 |
+ |
|
| 395 |
+ > My cinic eyelashes… |
|
| 396 |
+ 110 x 73, collage, guache, ink on paper, 1982 |
|
| 397 |
+ *w/ Arnaldo Antunes |
|
| 398 |
+ |
|
| 399 |
+> Desert |
|
| 400 |
+ 96 x 65, ink, collage, seeds on paper, 1982 |
|
| 401 |
+ *w/ Arnaldo Antunes |
|
| 402 |
+ |
|
| 403 |
+ • T |
|
| 404 |
+ • ransparency of pages |
|
| 405 |
+ 110 x 73, ink, graphite on paper 1982 |
|
| 406 |
+ |
|
| 407 |
+> calligram |
|
| 408 |
+ 200 x 130, ink, acrylic paint, graphite on paper, 1983 |
|
| 409 |
+ |
|
| 410 |
+ > Wild Harps |
|
| 411 |
+ 110 x 77, ink, guache, letra set on paper, 1983 |
|
| 412 |
+ |
|
| 413 |
+ > Bare Clothes |
|
| 414 |
+ 110 x 77, acrylic paint, letra set on paper, 1983 |
|
| 415 |
+ |
|
| 416 |
+ > Tiger Surface |
|
| 417 |
+ 110 x 73, ink, guache, graphite, 1983 |
|
| 418 |
+ *w/ Arnaldo Antunes |
|
| 419 |
+ |
|
| 420 |
+ |
|
| 421 |
+ |
|
| 422 |
+ > scratches and scribbles |
|
| 423 |
+ a book made by the artist, 250 copies, numbered and signed, |
|
| 424 |
+ off-set printing, glued on ingres paper, São Paulo, 1986 |
|
| 425 |
+ |
|
| 426 |
+> cover and back cover |
|
| 427 |
+ 35 x 5, ink on paper, 1984 |
|
| 428 |
+ |
|
| 429 |
+> mount |
|
| 430 |
+ 35 x 5, ink on paper, 1984 |
|
| 431 |
+ |
|
| 432 |
+> snow |
|
| 433 |
+ 35 x 5, ink on paper, 1984 |
|
| 434 |
+ |
|
| 435 |
+> moon |
|
| 436 |
+ 35 x 5, ink on paper, 1984 |
|
| 437 |
+ |
|
| 438 |
+> wind |
|
| 439 |
+ 35 x 5, ink on paper, 1984 |
|
| 440 |
+ |
|
| 441 |
+> flower |
|
| 442 |
+ 35 x 5, ink on paper, 1984 |
|
| 443 |
+ |
|
| 444 |
+> horizontal rain on grass |
|
| 445 |
+ 35 x 5, ink on paper, 1984 |
|
| 446 |
+ |
|
| 447 |
+> shadow |
|
| 448 |
+ 35 x 5, ink on paper, 1984 |
|
| 449 |
+ |
|
| 450 |
+> echo |
|
| 451 |
+ 35 x 5, ink on paper, 1984 |
|
| 452 |
+ |
|
| 453 |
+> cow queen’s heart |
|
| 454 |
+ 35 x 5, ink on paper, 1984 |
|
| 455 |
+ |
|
| 456 |
+> mud |
|
| 457 |
+ 35 x 5, ink on paper, 1984 |
|
| 458 |
+ |
|
| 459 |
+> crime/cream |
|
| 460 |
+ 35 x 5, ink on paper, 1984 |
|
| 461 |
+ |
|
| 462 |
+> there it is! |
|
| 463 |
+ 35 x 5, ink on paper, 1984 |
|
| 464 |
+ |
|
| 465 |
+ |
|
| 466 |
+ |
|
| 467 |
+ |
|
| 468 |
+> ballograms |
|
| 469 |
+ |
|
| 470 |
+ |
|
| 471 |
+ |
|
| 472 |
+ > ballogram |
|
| 473 |
+ 18 x 13, ink on paper, 2014 |
|
| 474 |
+ |
|
| 475 |
+> ballogram |
|
| 476 |
+ 18 x 13, ink on paper, 2014 |
|
| 477 |
+ |
|
| 478 |
+> ballogram |
|
| 479 |
+ 18 x 13, ink on paper, 2014 |
|
| 480 |
+ |
|
| 481 |
+> ballogram |
|
| 482 |
+ 18 x 13, ink on paper, 2014 |
|
| 483 |
+ |
|
| 484 |
+> ballogram |
|
| 485 |
+ 18 x 13, ink on paper, 2014 |
|
| 486 |
+ |
|
| 487 |
+> ballogram |
|
| 488 |
+ 18 x 13, ink on paper, 2014 |
|
| 489 |
+ |
|
| 490 |
+> ballogram |
|
| 491 |
+ 18 x 13, ink on paper, 2014 |
|
| 492 |
+ |
|
| 493 |
+> ballogram |
|
| 494 |
+ 18 x 13, ink on paper, 2014 |
|
| 495 |
+ |
|
| 496 |
+> ballogram |
|
| 497 |
+ 18 x 13, ink on paper, 2014 |
|
| 498 |
+ |
|
| 499 |
+> ballogram |
|
| 500 |
+ 18 x 25, ink on paper, 2014 |
|
| 501 |
+ |
|
| 502 |
+> ballogram |
|
| 503 |
+ 18 x 14, ink on paper, 2014 |
|
| 504 |
+ |
|
| 505 |
+> ballogram |
|
| 506 |
+ 18 x 25, ink on paper 2014 |
|
| 507 |
+ |
|
| 508 |
+> ballogram |
|
| 509 |
+ 18 x 14, ink on paper, 2014 |
|
| 510 |
+ |
|
| 511 |
+> ballogram |
|
| 512 |
+ 18 x 25, ink on paper, 2014 |
|
| 513 |
+ |
|
| 514 |
+ |
|
| 515 |
+ |
|
| 516 |
+> studies |
|
| 517 |
+ |
|
| 518 |
+ |
|
| 519 |
+> figure |
|
| 520 |
+ 50 x 42, ink on paper, 2015 |
|
| 521 |
+ |
|
| 522 |
+> figure |
|
| 523 |
+ 42 x 30, ink on paper, 2015 |
|
| 524 |
+ |
|
| 525 |
+> figure |
|
| 526 |
+ 42 x 59, ink on paper, 2015 |
|
| 527 |
+ |
|
| 528 |
+> figure |
|
| 529 |
+ 42 x 30, ink on paper, 2015 |
|
| 530 |
+ |
|
| 531 |
+> figure |
|
| 532 |
+ 42 x 59, ink on paper, 2015 |
|
| 533 |
+ |
|
| 534 |
+> figure |
|
| 535 |
+ 42 x 30, ink on paper, 2015 |
|
| 536 |
+ |
|
| 537 |
+> figure |
|
| 538 |
+ 59 x 42, graphite on paper, 2013 |
|
| 539 |
+ |
|
| 540 |
+> figure |
|
| 541 |
+ 59 x 42, graphite on paper, 2013 |
|
| 542 |
+ |
|
| 543 |
+> figure |
|
| 544 |
+ 30 x 42, ink on paper, 2013 |
|
| 545 |
+ |
|
| 546 |
+> figure |
|
| 547 |
+ 27 x 21, ink on paper, 2013 |
|
| 548 |
+ |
|
| 549 |
+> amphoras |
|
| 550 |
+ 52 x 73, charcoal on paper, 2002 |
|
| 551 |
+ |
|
| 552 |
+> york munster |
|
| 553 |
+ 14 x 9, graphite on paper, 2014 |
|
| 554 |
+ |
|
| 555 |
+> york munster |
|
| 556 |
+ 14 x 18, graphite on paper, 2014 |
|
| 557 |
+ |
|
| 558 |
+> york munster |
|
| 559 |
+ 14 x 18, graphite on paper, 2014 |
|
| 560 |
+ |
|
| 561 |
+ |
|
| 562 |
+ |
|
| 563 |
+ |
|
| 564 |
+ |
|
| 565 |
+> SCULPTURE |
|
| 566 |
+ |
|
| 567 |
+ |
|
| 568 |
+ |
|
| 569 |
+> charcoal and netting |
|
| 570 |
+ |
|
| 571 |
+ |
|
| 572 |
+ |
|
| 573 |
+ > 220 x 200 x 220, nylon netting, charcoal, wood, 1992 |
|
| 574 |
+ |
|
| 575 |
+ > 150 x 25 x 15, nylon netting, charcoal, parchment, 1992 |
|
| 576 |
+ |
|
| 577 |
+ > 250 x 180 x 15, nylon netting, charcoal, parchment, writings, 1993 |
|
| 578 |
+ |
|
| 579 |
+> 165 x 110 x 10, ink on nylon netting, charcoal, parchment, writings, 1993 |
|
| 580 |
+ |
|
| 581 |
+ > 80 x 180 x 7, ink on nylon netting, 1993 |
|
| 582 |
+ |
|
| 583 |
+ > 200 x 165 x 100, nylon netting, charcoal, parchment. writings, 1993 |
|
| 584 |
+ |
|
| 585 |
+ |
|
| 586 |
+ |
|
| 587 |
+> Sleep |
|
| 588 |
+ |
|
| 589 |
+ |
|
| 590 |
+ > What moves us is sleep |
|
| 591 |
+ 120 x 350 x 50, raw wool in glass, 1994 |
|
| 592 |
+ |
|
| 593 |
+ > sleep |
|
| 594 |
+ 100 x 50 x 10, metallic thread, seed, ink, 1994 |
|
| 595 |
+ |
|
| 596 |
+ > sleep |
|
| 597 |
+ 4 x 66 x 60, wood, 1994 |
|
| 598 |
+ |
|
| 599 |
+ > bibliographic piece |
|
| 600 |
+ 125 x 30 x 20, wood, books, 1994 |
|
| 601 |
+ |
|
| 602 |
+> bibliographic piece |
|
| 603 |
+ 182 x 7 x 11, wood, book, 1994 |
|
| 604 |
+ |
|
| 605 |
+> bibliographic piece (side view) |
|
| 606 |
+ 182 x 7 x 11, wood, book, 1994 |
|
| 607 |
+ |
|
| 608 |
+ > sleep |
|
| 609 |
+ 200 x 270 x 130, raw wool in glass, 1994 |
|
| 610 |
+ |
|
| 611 |
+> clay |
|
| 612 |
+ |
|
| 613 |
+ |
|
| 614 |
+ > head |
|
| 615 |
+ 32 x 14 x 26, clay, 1995 |
|
| 616 |
+ |
|
| 617 |
+ > head |
|
| 618 |
+ 30 x 15 x 22, clay, 1995 |
|
| 619 |
+ |
|
| 620 |
+ > head |
|
| 621 |
+ 42 x 24 x40, clay, 1995 |
|
| 622 |
+ |
|
| 623 |
+ > head / profile |
|
| 624 |
+ |
|
| 625 |
+ > Tal / front view |
|
| 626 |
+ 188 x 60 x 40, clay, 1995 |
|
| 627 |
+ |
|
| 628 |
+ > Tal / rear view |
|
| 629 |
+ 188 x 60 x 40, clay, 1995 |
|
| 630 |
+ |
|
| 631 |
+ > relief (from Seurat) |
|
| 632 |
+ 48 x 50 x 14, clay, 1995 |
|
| 633 |
+ |
|
| 634 |
+ > relief |
|
| 635 |
+ 81 x 51 x 17, clay, 1997 |
|
| 636 |
+ |
|
| 637 |
+ > relief |
|
| 638 |
+ 200 x 100 x 40, plaster cast, unique edition, 2001 |
|
| 639 |
+ |
|
| 640 |
+> relief |
|
| 641 |
+ 150 x 100 x 40, plaster cast, unique edition, 2002 |
|
| 642 |
+ |
|
| 643 |
+ > relief (from Rembrandt) |
|
| 644 |
+ 30 x 45 x 10, plaster cast, unique edition, 2003 |
|
| 645 |
+ |
|
| 646 |
+ > relief |
|
| 647 |
+ 37 x 43 x 13, clay, 2003 |
|
| 648 |
+ |
|
| 649 |
+ |
|
| 650 |
+> FILMS |
|
| 651 |
+ |
|
| 652 |
+ |
|
| 653 |
+ > animation |
|
| 654 |
+ |
|
| 655 |
+> with Hugo, 2014 |
|
| 656 |
+ |
|
| 657 |
+ > animation |
|
| 658 |
+ |
|
| 659 |
+> 2014 |
|
| 660 |
+ |
|
| 661 |
+ > animation |
|
| 662 |
+ |
|
| 663 |
+ > 2014 |
|
| 664 |
+ |
|
| 665 |
+> film |
|
| 666 |
+ |
|
| 667 |
+ > Trifônia, with câmeraolho / Planeta Tela, 2008 |